Static By Ashley King September 4-14, 2024 ​ “Static: A Party Girl’s Memoir” is a coming-of-age story inspired by true events, written and performed by Mexican-Canadian artist Ashley King. It follows Ashley, a young woman whose life revolves around booze, boys, and late-night parties, while navigating a turbulent relationship with her mother, Carolina. But when she wakes up blind while on holiday, she’ll have to face her darkest depths of grieving a new life she didn’t choose or want. Not your typical inspirational story, Static offers a poignant and humorous take on the struggles and triumphs of a young woman learning to navigate the world without sight. With moments of laughter and tears, this dark comedy explores whether everything happens for a reason and if joy can really be found in unexpected places. Buy Tickets We are proud to present the world premiere of this unique queer love story by Calgary playwright Bianca Miranda at Chromatic, with direction by Gina Puntil, co-produced by Lunchbox Theatre and presented as part of One Yellow Rabbit’s High Performance Rodeo. Kisapmata has been in development since 2021, when it was part of our IBPOC Playwrights Unit, and it was featured in both the Stage One Festival of New Canadian Work and Stage Two at Lunchbox Theatre in 2022. Playwright Bianca Miranda also recently premiered The F-Word, co-written and performed with Keshia Cheesman, in a Downstage Production at Alberta Theatre Projects, which was nominated for "Outstanding New Play" at the Betty Mitchell Awards. Directed by Gina Puntil Co-Production with Lunchbox Theatre and presented by One Yellow Rabbit as part of the 38th Annual High Performance Rodeo . ​ Poster Artwork by Maezy Reign CAST AND CREW Michelle Diaz • A Isabella Pedersen • B ​ Gina Puntil • Director Kodie Rollan • Assistant Director & Dramaturg Thomas Geddes • Video & Projection Design Cassie Holmes • Set & Costume Design Gladzy Kei • Grapic Designer Kp Smith • Lx Design Sallie Mae Salcedo • Sound Design Jennifer Yeung • Stage Manager Rebecca Orion • Apprentice Stage Manager Bianca Miranda • Playwright Buy Tickets SHOWTIMES Tuesday Jan 30 – 12pm (Preview) Wednesday Jan 31 – 12pm (Preview) Thursday Feb 1 – 12pm (Opening) Friday Feb 2 – 12pm & 7pm Saturday Feb 3 – 12pm & 4pm (4pm Is Brown Out Night) Sunday Feb 4 – 1:30pm (Relaxed & Audio Described, Super Mask Friendly) Tuesday Feb 6 – 12pm Wednesday Feb 7 – 7pm Thursday Feb 8 – 12pm (Talk Back) Friday Feb 9 – 12pm & 7pm (7pm is Celebrating Pride) Saturday Feb 10 – 12pm & 7pm Sunday Feb 11 – 1:30pm Tuesday Feb 13 – 12pm Wednesday Feb 14 – 7pm Thursday Feb 15 – 12pm (Talk Back) Friday Feb 16 – 12pm & 7pm (7pm is Date Night) Saturday Feb 17 – 12pm & 7pm Sunday Feb 18 – 1:30pm (Closing) Brown Out Night This production's Brown Out Night is an afternoon performance and reception celebrating the Filipino/a/x community, lives, and love stories. We are specifically inviting those who identify as being part of the Filipino community and other racialized (Black, Indigenous, People of Colour) communities to make up our audience, for this show. With that in mind, we will not be turning away anyone who purchases a ticket for this performance. We do ask that if you do not identify as Filipino or identify as being part of a racialized group, please ask yourself why you would like to attend, and what you will add to the space. ​ LEARN MORE HERE Relaxed & Audio Described We are partnering again with Inside Out Theatre with their Good Host program to provide a Relaxed and Audio Described performance of Kisapmata on Sunday, February 4th 15th at 1:30PM to make this performance more accessible. Talk Back After the show's performance, most (usually all) of the actors return to the stage to answer your questions and provide insight into the play you have just experienced. Buy Tickets LOCATION & DETAILS qwerty Buy Tickets

Chromatic Theatre is a theatre company that develops, supports, and creates space for racialized theatre artists in Moh'kins'tsis (Calgary). Mandate We have set forth the following mandate to guide our work To develop and support diverse voices that contribute to an artistic landscape reflecting the spectrum of diversity we see across our country To create opportunities for diverse artists and marginalized community groups through the arts To build bridges that span the societal issues and mechanisms that divide us based on cultural identity To engage non-traditional theatre going communities through cultural representation in the arts To promote a broader appreciation of diversity To employ diverse artists and pay them professionally and equitably whenever possible; to strengthen our community of professional artists. Mandate : About Us Company Artisic Director Kodie Rollan Kodie@chromatictheatre.ca Learn More Acting Associate Producer Rebecca Comer Rebecca@chromatictheatre.ca Learn More Marketing & Communications Maezy Reign Maezy@chromatictheatre.ca Learn More Associate Producer Kristen Padayas Kristen@chromatictheatre.ca Learn More Founding Artistic Director Jenna Rodgers Learn More

Maezy Reign Markerting and Communications Maezy Reign (they/she) is a biracial multidisciplinary artist, born and raised in Calgary. They work as a playwright, lighting designer and occasional actor. They are determined to create art that has the representation she never saw growing up, like mentally ill, gender diverse, queer, and racialized main characters. ​ Both my parents are theatre artists and entrepreneurs so I've been raised in a very artsy family. Maezy is a mixed-race black artist. Maezy's paternal grandmother grew up in St. Vincent in the Caribbean and immigrated to Canada in the 70's. Performance and Creative Credits include; Gaslight (Vertigo), The F Word (Downstage and ATP) Shark Bite (Lunchbox Theatre), Hay Coloured Houses (Paprika Festival), Sir Gawain and the Green Knight (Alchemy Festival), Hang In There (Chromatic PLU), This isn’t home (fear the festival), Psychotic Bitch (Ignite Festival), Revolution or Slumber (WCHS with HPR), Donut Diaries (Ignite Festival) Contact

Greater Forest Lawn Playwrights Lab 2015 ​ Featuring: Female Robbery by Jessica Del Fierro Dramaturgy by Caroline Russell-King ​ Timmy, Tommy & the Haunted Hotel by Ali DeRegt and Kathryn Smith Dramaturgy by Alyssa Bradac ​ Blind Pass by Hayley Feigs Dramaturgy by Zachary Moull Absurdable Universe by Kyle Hinton Dramaturgy by Neil Fleming ​ Parched by Jennifer Roberts Dramaturgy by Jenna Rodgers Technology Trade-off by Phyllis Wheaton Dramaturgy by Trevor Rueger ​ Featuring talented performers from across the city: Josh Bertwistle, Michelle Brandenburg, Alex Cherovsky, Filsan Dualeh, Devon Dubnyk, Chelsea Dwarika, Deborah Ferguson, Rodrigo Flores, Natalie Gauthier, Mike Griffin, Alan Johnson, Duane Jones, Alvan Le, Kelly Malcolm, Andrew Merrigan, Dan Perry, Ryan Reese, Holleay Rohm, Lara Schmitz, Makambe Simamba, Ayla Stephen, Liam Volke, Alicia Ward, Justine Westby, Sarah Wheeldon, and Greg Wilson ​ The Greater Forest Lawn Playwrights Lab is a development opportunity supported by CADA for emerging playwrights representing the plethora of diverse communities that exist in Calgary. The Lab will be a safe creative space for writers to explore their ideas and grow their talent – in full colour. The Lab will be led by Jenna Rodgers, a local Director/Dramaturg, who will work with a group of up to five emerging playwrights, each developing their first draft of a play. “Emerging” refers to individual career status, and playwrights of any age are welcome to apply. Playwrights will not be restricted to writing about issues of diversity, but will be encouraged to use their work to explore issues that challenge them. This program will take place over the course of six months, spanning Oct 2014 – March 2015. ​ Selected playwrights will meet twice monthly for the program’s duration. Meetings will take place in Forest Lawn, and will be tailored to support the group of artists that have been assembled. In the final month of the Lab, playwrights will be paired with a mentor in a professional director/dramaturg. You will be given 12 hours of professional development time and a cast of non-equity actors. The GFL Playwrights Lab will culminate with a public presentation to showcase the Playwrights’ work to their friends, family, and the greater Calgary arts community. ​ ​ ​ Back to Past Projects Listen Now! Digital Program

Jenna Rodgers Founding Artistic Director Jenna is a mixed-race Director and Dramaturg based in Calgary, on Treaty 7 Territory. Jenna is the founding Artistic Director of Chromatic Theatre – a company dedicated to producing and developing work by and for artists of colour. Jenna is also the Dramaturg for the Playwrights Lab at the Banff Centre for Arts and Creativity. A passionate arts equity advocate, she is a graduate of the NTS Artistic Leadership Residency, the Banff Centre’s Cultural Leadership program, and the artEquity National Facilitator Training cohort. She holds an MA in International Performance Research from the universities of Amsterdam and Tampere. Recent Directing credits include Mary’s Wedding at the Citadel Theatre, Actually at Alberta Theatre Projects, and Sherlock Holmes and the Raven’s Curse at Vertigo Theatre; For Chromatic Theatre (我的名是张欣恩 (Gimme Chance Leh), Winners and Losers, Cowboy Versus Samurai); fu-GEN Theatre (Mixie and the Halfbreeds); Workshop West Theatre (Beyond the Darkness); Pape and Taper Theatre (Timmy, Tommy, and the Haunted Hotel);and Lunchbox Theatre (Let the Light of Day Through).She was selected as part of the 2020 Michael Langham Directors Conservatory at the Stratford Festival. Contact

Jordan Baylon General Director Jordan (they/she/he) is a second generation PilipinX artist, critic and community worker imagining justice and abundance for equity-deserving peoples within the spaces of all our relations, personal, communal and societal. With a decade of experience serving in the non-profit arts sector in Mohkinstsis (Calgary), Jordan advocates a collective, grassroots approach to dismantling and rebuilding organizational structures, processes and ideologies with values of anti-racism and social justice. Jordan is a proud associate of CommunityWise’s Anti-Racist Organizational Change program, and co-authoried RE-Tool, a handbook on equity-driven grantmaking as part of Equity in the Panel Room working group. As an artist, Jordan’s work gnaws at the intersection of queer identity, race, colonialism, food, ritual and the deep dark places that represent our possibilities for pleasure and liberation. Contact

Media An Important Message from our Artistic Director Jenna Rodgers Read More Winners and Losers Media Release Read More Artistic Director Jenna Rodgers Receives Lieutenant Governor of Alberta’s Emerging Artist Award Read More Medea Media Release Read More Cowboy Versus Samurai Media Release Read More Avenue Magazine – Interview with Mike Tan Read More

Check back soon!

Learn More Buy Tickets Here Quick Links Learn More Learn More Kisapmata Learn More Learn More Sign Up Get Your Tickets Here Learn More Learn More Playwrights Unit Contact Us! First Name Last Name Email Comments SUBMIT Thanks for submitting! "To develop and support diverse voices that contribute to an artistic landscape reflecting the spectrum of diversity we see across our country"

Contact Us Name Email Subject Message Submit Thanks for submitting!

Chromatic Theatre is so excited to Introduce our 2023/24 Playwrights Unit Cohort! Take some time and get to know each playwright Program Alia Sofia Mara Nakota Tech & Design Actors Directors Stage Manager: Sabrena Shah Baigzada Tech/Design help: Natalia Cortes Dramaturg/ Producer: Kodie Rollan Tania Alvarado Filsan Dualeh Sunny Faust Amy On Tiffany Thomas Keshia Cheesman Javier Vilalta Marshall Vielle Jenna Rodgers Roma Inspired by the playwrights time as a transient muralist working at and living in a Roman Hotel, “Roma” follows a series of intimate, confrontational, and often humorous events shared between international guests and workers. Narrated by a jaded yet brutally honest Turkish handyman, the hotel's longest-standing resident, who critically observes how love and connection flourish in defiance of language, culture, and time barriers. Alia Aluma is an award-winning artist, designer, and writer who works in various industries, including academia, philanthropy, and creative. She has lived, worked, and studied on three different continents, gaining notable experiences with the fashion and fine art networks of Hong Kong, as a muralist in Italy, a fashion photographer in England, and creative director, curator, and designer in Calgary, AB. With three degrees from top ranked global universities, Alia also devotes a great deal of time to education as a public speaker, guest instructor, or mentor in her fields of study: Art & History, Communications, Commerce, Film, and World Culture. Her global and enriching experiences have lent her toward a pursuit in philanthropy where she works with organisations that support youth through mentorship and fundraising, and is in the early stages of starting the Aluma Scholarship Foundation with her father, a leader within his community, and twin brother, while also donating hundreds of hours to in-kind services annually. @aliaaluma Death and The Poet Death and grief are parts of life we can’t escape, no matter how fast we run. In this theatre and movement show, we follow the Poet as they navigate encountering, accepting, and eventually befriending Death. Drawing from the playwright’s Mexican cultural understanding of Death, this show is a love letter to living, grieving, and making art to make sense of the world. ​ Content Warning: explicit descriptions of death, mentions of sexual and gender violence, mentions of suicidal ideation Sofia Huarte Aguilar (they/them) is a first generation Mexican immigrant residing in Moh’kins’tsis, and pursuing a combined degree in Drama and Philosophy at the University of Calgary. Also an activist and a student organizer, Sofia’s artistic and academic practice revolves around constructing radical pedagogical tools for performance. They are deeply passionate about diversifying the theatre, and utilizing it as a critical tool for liberation. Their recent acting credits include Argonautika, directed by Randi Edmundson at the SCPA, and Hookman, directed by Jenna Rodgers and produced in collaboration with Chromatic Theatre and the SCPA. @sofia_huarte18 The Eaten A bachelorette party rents a house in the country for a weekend of salacious revelry. However, unknown to them, the owner of the house has different, more sinister plans in mind. The party goes rapidly sideways in this absurdist dark comedy. ​ Content Warning: Misogyny, Misogynistic/derogatory language, Profanity, Transphobia, Sexual content and language, and Violence Mara Teare is an emerging interdisciplinary artist. Originally from Saskatoon, she has recently found a new artistic home in Calgary. She made her Calgary debut as Mowgli in Alberta Theatre Projects production of The Jungle Book. Graduating from the National Theatre School of Canada's acting program, Mara is dedicated to amplifying marginalized voices through her work. She's eager to develop her skills as a writer. Her stage credits include; The Jungle Book (Alberta Theatre Projects), Crypthand (Gale Force Theatre), Cymbeline (Shakespeare on the Saskatchewan), Everybody, Indecent (National Theatre School), and Young Ones (SUM Theatre). Additionally, she has written one previous play sad girls watch The Princess Bride. @marateare Tale of Two Spirits ‘Tale of Two Spirits’ is a weird, potentially confusing, and funny story about the friendship and connection of two souls, Sunny and Starr, in a universe filled with supernatural wonder and chaos ​ Content Warning: Strong Language Nakota Starr Tobias (they/them) is a Queer Trans Two-Spirit Indigenous actor and playwright currently residing in Calgary, Alberta but is from Treaty 6 Territory, and is Nakota Sioux/Anishinaabe Ojibwe. They are in their 3rd year of a Bachelor in Fine Arts degree, mainly focusing on acting but interested in writing as well. They aim to tell stories of joy, connection, and love through the lens of their intersectional identities, whether this is through bringing it to life as an actor or being the one to write the story themself. Which has motivated and encouraged them to write their play Wild Spirits, that is somewhat based on one of their friendships and has aspects of their personal experience entwined within. They also strive to inspire and uplift the generations to come, and bring forth representation they never had growing up. @theweirdonamedkoda