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Kodie Rollan Artistic Director Kodie Rollan is a Philippine-born, Scarborough-raised, Mohkinstsis (Calgary)-based playwright, dramaturg, lyricist, arts leader and producer. He is a passionate community-builder and always aims to create spaces for shared storytelling and arts equity within the nonprofit sector. As a storyteller, Kodie is drawn towards explorations of justice within racialized bodies and how we can move towards more abolitionist futures. He is proud to have worked with a variety of theatre companies in both Alberta and Ontario in a variety of capacities. Some of these companies include Downstage Theatre, Alberta Theatre Projects, Lunchbox Theatre, Swallow-A-Bicycle, Alberta Workers Health Centre, fu-Gen Theatre, Carlos Bulosan Theatre, Prime Mover Theatre and The Musical Stage Company. He has also worked on a national scale as a dramaturg in his previous role as the Associate Dramaturg at the Banff Playwrights Lab. Select Playwright credits include: G_OAT Debate featured as part of Lunchbox Theatre’s 2024 Stage One Festival of New pLAYS, The Watchdog Society featured in staged readings with Chromatic Theatre and Carlos Bulosan Theatre, Destination Wedding! Co-created with Jennifer Villaverde and Maria Aragon presented by Sheridan College and The Musical Stage Company, and Alberta Kitchen Party co-created with Alixandra Cowman, Anna Dalgleish, Daniel Fong, Jeremy Carver James, Joe Slabe, and Emiko Muraki, with contributions from Darcy Evans, Tiffany Thomas, and Tenaj Williams presented at Alberta Theatre Projects. Alberta Kitchen Party received two Betty Mitchell Award wins for Outstanding Performance by an Ensemble, Outstanding Music Direction, and Outstanding Production of a Musical. Kodie is also one of the recipient of Theatre Alberta’s 2023 Michelle Dias Community Service Award. Select Dramaturgy credits include: Static: A Party Girl’s Memoir by Ashley King, Kisapmata by Bianca Miranda, which won the Oustanding New Play Award at the 2024 Betty Mitchell Awards. He received his Bachelor of Arts (Honours) and his Masters in Arts Leadership from Queen’s University. He is currently the Artistic Director of Chromatic Theatre. As an arts educator, he is currently a facilitator of the Rozsa Foundation’s arts management and education programs, and has been a sessional instructor with the University of Calgary. Contact

Stomp, Roar, and Be Brave (Children's Book) Exhibition Info Exhibition by: Kira Berry, Sarah Keegan, Kiara Medveszek & Natalie Rupert Format: Children's Book Content: This is a timed presentation. Reading 1: 4:50pm - 5:10pm Reading 2: 5:30pm - 5:50pm Teacher candidates will be performing a live reading of their children's book followed by a short Q&A period.

Contact Chromatic Theatre's staff. We would love to help you out if you have any questions or concerns. Contact Us info@chromatictheatre.ca First Name Last Name Email Message Send Thanks for submitting!

Cancelled (Interactive Game) Exhibition Info Exhibition by: Format: Interactive Game Content: This is a drop-in exhibit. Audience members will be invited to play an interactive mystery game surrounding the topic of cancel culture. Teacher candidates will be facilitating the game and assisting the audience throughout the exhibit. See also: Getting to the space See also: Parking Info for MRU

Chromatic Theatre is a theatre company that develops, supports, and creates space for racialized theatre artists in Moh'kins'tsis (Calgary). Click Here for Details News & Updates What’s Going On Meet this year's Playwrights Unit Cohort! Click here to participate! Get tickets to our current production! Link for tickets Read More Meet our Artistic Director! Click here to set up a meeting with Kodie! Read More Contact Us! First Name Last Name Email Comments SUBMIT Thanks for submitting! "To develop and support diverse voices that contribute to an artistic landscape reflecting the spectrum of diversity we see across our country"

Jenna Rodgers Founding Artistic Director Jenna is a mixed-race Director and Dramaturg based in Calgary, on Treaty 7 Territory. Jenna is the founding Artistic Director of Chromatic Theatre – a company dedicated to producing and developing work by and for artists of colour. Jenna is also the Dramaturg for the Playwrights Lab at the Banff Centre for Arts and Creativity. A passionate arts equity advocate, she is a graduate of the NTS Artistic Leadership Residency, the Banff Centre’s Cultural Leadership program, and the artEquity National Facilitator Training cohort. She holds an MA in International Performance Research from the universities of Amsterdam and Tampere. Recent Directing credits include Mary’s Wedding at the Citadel Theatre, Actually at Alberta Theatre Projects, and Sherlock Holmes and the Raven’s Curse at Vertigo Theatre; For Chromatic Theatre (我的名是张欣恩 (Gimme Chance Leh), Winners and Losers, Cowboy Versus Samurai); fu-GEN Theatre (Mixie and the Halfbreeds); Workshop West Theatre (Beyond the Darkness); Pape and Taper Theatre (Timmy, Tommy, and the Haunted Hotel);and Lunchbox Theatre (Let the Light of Day Through).She was selected as part of the 2020 Michael Langham Directors Conservatory at the Stratford Festival. Contact

2024 Client: Kasta Travel Year: 2023 This is placeholder text. To change this content, double-click on the element and click Change Content. To manage all your collections, click on the Content Manager button in the Add panel on the left. Previous Next

Static By Ashley King September 4-14, 2024 “Static: A Party Girl’s Memoir” is a coming-of-age story inspired by true events, written and performed by Mexican-Canadian artist Ashley King. It follows Ashley, a young woman whose life revolves around booze, boys, and late-night parties, while navigating a turbulent relationship with her mother, Carolina. But when she wakes up blind while on holiday, she’ll have to face her darkest depths of grieving a new life she didn’t choose or want. Not your typical inspirational story, Static offers a poignant and humorous take on the struggles and triumphs of a young woman learning to navigate the world without sight. With moments of laughter and tears, this dark comedy explores whether everything happens for a reason and if joy can really be found in unexpected places. Photos by Motif Photography CAST AND CREW Featuring: Ashley King Jaime Cesar Director • Javier Vilalta Stage Manager • Jennifer Yeung Assistant Stage Manager • Sabrena Shah Baigzada Scenic Designer • Natalia Cortes Sound Designer • Miranda Martini Lighting Designer • Anton deGroot Video/Projection Designer • Skylar Desjardins Dramaturg • Kodie Rollan Design Consultant • Lindsey Zess Cultural Consultant • Daniela Atiencia Disability Dramaturg • Jessica Watkins Engagement Coordinator • Iván Guevara García Production Manager • Col Cseke Producers • Camielle Craig & Kristen Padayas Poster Design | Marketing • Ebony R. Gooden & Maezy Reign Ashley King • Playwright ADDITIONAL INFORMATION Program Plain Text Program

Board Members Call For Apply by July 1, 2025 Chromatic Theatre is currently looking for dedicated, community-minded individuals with a passion for theatre and the arts to join our board of directors. The Chromatic Theatre board of Directors is an advisory board providing governance support to the company. If you are interested in being part of Chromatic Theatre’s board of directors, please email your CV and a one-page cover letter outlining why you are interested and what you would like to learn and contribute as a member of the board to kodie@chromatictheatre.ca ABOUT THE COMPANY Chromatic Theatre is a Moh’kins’tsis (Calgary) based theatre company that invests in, develops, and supports the work of racialized (IBPOC) artists for racialized communities. Our mandate is to develop and support diverse voices that contribute to an artistic landscape reflecting the spectrum of diversity we see across our country. We do this by creating opportunities for diverse artists and marginalized community groups through the arts and building bridges that span the societal issues and mechanisms that divide us based on cultural identity. We are looking to engage with individuals who: Share the values of labour-centric anti-oppression Have a passion for the creation of care-based environments, especially in the arts/ non-profit sector Have a passion for theatre or an interest in the arts sector in Moh’kins’tsis (Calgary) as a whole Is interested in deepening its practice in decolonization, equity, diversity, inclusion and accessibility from a policy and culture-setting standpoint Share a passion for racialized storytelling Can be a strong advocate and champion for the organization’s work and overall culture Prior experience on a board of directors, particularly with organizations or startups that have scaled up their capacities, is an asset but not a requirement. Strong interpersonal skills are a requirement for this position. Roles & Responsibilities Board members are expected to: Be in attendance at 4 - 6 board meetings throughout the year Provide care-centred leadership, governance, and oversight on the theatre company’s activities Be an advocate for the greater community to hold the organization’s leadership accountable to its community-based values and practices. Be an ambassador for the theatre by representing Chromatic Theatre within the community and championing their work Download PDF Download Plain Text Please note that incoming board members will receive onboarding support upon joining the board. The position will remain open until July 1st, 2025 or until suitable candidates are found. This is a volunteer position. If you are interested in being part of Chromatic Theatre’s board of directors, please email your CV and a one-page cover letter outlining why you are interested and what you would like to learn and contribute as a member of the board to Kodie Rollan Kodie@chromatictheatre.ca

Why Statistics? Get to Know Us This is a paragraph about your business. Let your visitors know who you are, what you do and what your website is all about. Double click on the text box to edit the text and add all the information you want to share. Blog Posts Report Report Report Report How to Read the Graphs We have broken Theatre companies down into two groups. >10 Productions between 2018 and 2023 <10 Productions between 2018 and 2023 For each graph we have the number of racialized artists against the total number of artists Report 2023/24 Year by Year Season by Season 2022/23 2021/22 2020/21 Pre 2020 2023 - 2024 Overview <10 Productions >10 Productions Blog Post Raw Data 2022 - 2023 Overview <10 Productions >10 Productions Blog Post Raw Data 2021 - 2022 Overview <10 Productions >10 Productions Blog Post Raw Data 2020 - 2021 Overview <10 Productions >10 Productions Blog Post Raw Data 2018 - 2020 Overview <10 Productions >10 Productions Blog Post Raw Data

Chromatic Theatre offers a variety of Anti-Racism facilitation specifically for arts organizations. We are a team of artists with a myriad of training who specialize in workshops that can help your team assess individual and organizational equity. Anti-Racism Facilitation Chromatic Theatre offers a variety of Anti-Racism facilitation specifically for arts organizations. We are a team of artists with a myriad of training who specialize in workshops that can help your team assess individual and organizational equity. We are justice-minded, and have received training from artEquity , Zenev and Associates , and the Ad Hoc Assembly . We aim to integrate artistic practice into all facets of our work. If you aren’t sure what you need or what it costs, please be in touch. We can work to customize an offering, and tell you more about our fees. Contact Us Workshops From half-day to week-long, we can customize a workshop to your organization’s needs. Our teams of two-facilitators can lead groups of up to 40 participants. Events Our facilitators are trained in public speaking, particularly around intersections of identity, equity, justice, anti-racism, and creative practice. We are also open to speaking to Boards of Directors. Consultation Looking for a deeper dive? One of our facilitators can do an organizational assessment and help you connect with the right people and tools to build a comprehensive plan tailor-built for your needs.

Archive Static: A Party Girl's Memoir 2024 Co-Produced with Inside Out Theatre Direction by Javier Vilalta Written by Ashley King “Static: A Party Girl’s Memoir” is a coming-of-age story inspired by true events, written and performed by Mexican-Canadian artist Ashley King. It follows Ashley, a young woman whose life revolves around booze, boys, and late-night parties, while navigating a turbulent relationship with her mother, Carolina. But when she wakes up blind while on holiday, she’ll have to face her darkest depths of grieving a new life she didn’t choose or want. Not your typical inspirational story, Static offers a poignant and humorous take on the struggles and triumphs of a young woman learning to navigate the world without sight. With moments of laughter and tears, this dark comedy explores whether everything happens for a reason and if joy can really be found in unexpected places. Static was originally developed in our IBPOC Playwrights Unit. Kisapmata 2024 Co-Produced with Lunchbox Theatre Direction by Gina Puntil Written by Bianca Miranda The Tagalog word “kisapmata” means “blink of an eye.” It’s also the title of a punk banger by Filipino band, Rivermaya. Inspired by this song, this new Canadian play tells the love story of two Filipino women—one living here in Canada and the other, born and raised in the Philippines. Through intimate vignettes, we see the longing, the diving in, and eventually, the letting go. Kisapmata has been in development since 2021, when it was part of our IBPOC Playwrights Unit, and it was featured in both the Stage One Festival of New Canadian Work and Stage Two at Lunchbox Theatre in 2022. Stages of Transformation: feel ur feels (CRINGE LIBERATION) 2023 Presented at Rumble Festival Created by Kris Vanessa Teo Xin-En As we attempt survival in a white supremist and capitalistic society, it is so easy for us to cut ourselves off from how we are feeling, to deny ourselves pleasure, to move at high speeds, to ignore our needs, to bypass processing our lived experiences, to numb sensations that come up, to live through our days on autopilot, to hide who we are and to fast-forward anything that feels uncomfortable. Creating feel ur feels (CRINGE LIBERATION) is a way for me to practice the small actions and connections of listening to the deep feeling and nonrational eroticism within me, and to practice with my friendos, pals and buddy buds, through conversation, stopping to notice what’s around me, in me, and to follow the curiosities that come up along the way. Hookman 2023 Co-Produced with University of Calgary SCPA Direction by Jenna Rodgers Written by Lauren Yee First year university life gets even harder for Lexi when she’s feeling homesick, her roommate is super weird, and a hook-handed serial killer is slashing girls’ throats. When Lexi discovers what really happened to her high school best friend, she learns what it means to grow up – and it isn’t pretty. 我的名是张欣恩 (Gimme Chance Leh) Redux: A Team Together 2021 Direction by Thomas Geddes Written by Kris Vanessa Teo Xin-En Chromatic Theatre is proud to present the AUDIO PLAY version of 我的名是张欣恩 (Gimme chance leh) written and performed by Kris Vanessa Teo. Thanks to support from the CBC Digital Originals program, this project is now streaming live and 100% FREE from the CBC website. Grab a snack, strap on a pair of your favourite headphones, click here and give it a listen! The Green Line 2022 Co-Produced with Downstage Theatre Direction by Jenna Rodgers Written by Makram Ayache During the Lebanese Civil War, Naseeb wants his sister to withdraw from her university studies and move to the mountains. But Mona is secretly falling in love with her classmate Yara. Forty years later, Rami, a Lebanese Canadian student, comes to Lebanon to bury his father, Naseeb. That night, he meets Zidan, a drag queen at a queer Beirut nightclub and things take an unexpected turn. Past and present braid together in The Green Line’s contemplation of how memories are inherited or erased. Cowboy Versus Samurai Direction by Jenna Rodgers Written by Michael Golamco Cowboy Versus Samurai is a modern-day comedic take on the Edmond Rostad classic, Cyrano de Bergerac. Our protagonist Travis Park is the only Korean American in the dusty cowboy town of Breakneck, Wyoming. When the beautiful and clever Veronica Lee moves to town to fill the post of science teacher, he’s immediately smitten – until she reveals that she only dates white men. Travis must choose whether to ally with the “cowboy”: the handsome gym teacher, Del; or the “samurai”: best friend, and militant Asian of unknown origin, Chester. He must choose between the Asian and the American within himself in the pursuit for love that may only be as real as the love letters he writes on behalf of someone else. Winners and Losers 2018 Presented at Summerworks Festival Written by James Long and Marcus Youssef Adapted by Valerie Planche, Makambe K. Simamba and Jenna Rodgers Winners and Losers is one part game, one part conversation that leans into our universally flawed human logic, and the desire to win at all costs. Valerie Planche and Makambe K. Simamba, two powerhouse performers at different stages of life and careers, debate whether people, places or things – Robin Williams, camping, Meghan Markle, private schools – are winners or losers. This exploration of female friendships leads us down a spiralling path of staunch sisterhood and deep-seated difference. As the discussion gets personal, how far is too far when confronting deep-seated beliefs? Based on the Governor General Award-nominated text by Marcus Youssef and James Long, this homegrown adaptation – re-written and re-cast with an all-female team – premiered to rave reviews at Toronto’s SummerWorks Performance Festival! Medea Direction by Alyssa Bradac Written by Euripides, Translated by Robin Robertson Chromatic Theatre is producing a highly contemporary and anti-colonial production of Euripides’ classic tragedy, Medea. After Jason captures the Golden Fleece, in large part because of Medea, her magic, and her betrayal against her family, Jason takes Medea as a wife. A few years pass, their sons grow and prosper, when Jason decides to take another bride from his Grecian homeland for political reasons, offering to keep Medea as a mistress, illegitimating their children in the process. To keep her agency, self-respect, and cultural identity, she pays the ultimate price and kills her children.