Chromatic Theatre is so excited to Introduce our 2023/24 Playwrights Unit Cohort! Take some time and get to know each playwright Program Alia Sofia Mara Nakota Tech & Design Actors Directors Stage Manager: Sabrena Shah Baigzada Tech/Design help: Natalia Cortes Dramaturg/ Producer: Kodie Rollan Tania Alvarado Filsan Dualeh Sunny Faust Amy On Tiffany Thomas Keshia Cheesman Javier Vilalta Marshall Vielle Jenna Rodgers Roma Inspired by the playwrights time as a transient muralist working at and living in a Roman Hotel, “Roma” follows a series of intimate, confrontational, and often humorous events shared between international guests and workers. Narrated by a jaded yet brutally honest Turkish handyman, the hotel's longest-standing resident, who critically observes how love and connection flourish in defiance of language, culture, and time barriers. Alia Aluma is an award-winning artist, designer, and writer who works in various industries, including academia, philanthropy, and creative. She has lived, worked, and studied on three different continents, gaining notable experiences with the fashion and fine art networks of Hong Kong, as a muralist in Italy, a fashion photographer in England, and creative director, curator, and designer in Calgary, AB. With three degrees from top ranked global universities, Alia also devotes a great deal of time to education as a public speaker, guest instructor, or mentor in her fields of study: Art & History, Communications, Commerce, Film, and World Culture. Her global and enriching experiences have lent her toward a pursuit in philanthropy where she works with organisations that support youth through mentorship and fundraising, and is in the early stages of starting the Aluma Scholarship Foundation with her father, a leader within his community, and twin brother, while also donating hundreds of hours to in-kind services annually. @aliaaluma Death and The Poet Death and grief are parts of life we can’t escape, no matter how fast we run. In this theatre and movement show, we follow the Poet as they navigate encountering, accepting, and eventually befriending Death. Drawing from the playwright’s Mexican cultural understanding of Death, this show is a love letter to living, grieving, and making art to make sense of the world. ​ Content Warning: explicit descriptions of death, mentions of sexual and gender violence, mentions of suicidal ideation Sofia Huarte Aguilar (they/them) is a first generation Mexican immigrant residing in Moh’kins’tsis, and pursuing a combined degree in Drama and Philosophy at the University of Calgary. Also an activist and a student organizer, Sofia’s artistic and academic practice revolves around constructing radical pedagogical tools for performance. They are deeply passionate about diversifying the theatre, and utilizing it as a critical tool for liberation. Their recent acting credits include Argonautika, directed by Randi Edmundson at the SCPA, and Hookman, directed by Jenna Rodgers and produced in collaboration with Chromatic Theatre and the SCPA. @sofia_huarte18 The Eaten A bachelorette party rents a house in the country for a weekend of salacious revelry. However, unknown to them, the owner of the house has different, more sinister plans in mind. The party goes rapidly sideways in this absurdist dark comedy. ​ Content Warning: Misogyny, Misogynistic/derogatory language, Profanity, Transphobia, Sexual content and language, and Violence Mara Teare is an emerging interdisciplinary artist. Originally from Saskatoon, she has recently found a new artistic home in Calgary. She made her Calgary debut as Mowgli in Alberta Theatre Projects production of The Jungle Book. Graduating from the National Theatre School of Canada's acting program, Mara is dedicated to amplifying marginalized voices through her work. She's eager to develop her skills as a writer. Her stage credits include; The Jungle Book (Alberta Theatre Projects), Crypthand (Gale Force Theatre), Cymbeline (Shakespeare on the Saskatchewan), Everybody, Indecent (National Theatre School), and Young Ones (SUM Theatre). Additionally, she has written one previous play sad girls watch The Princess Bride. @marateare Tale of Two Spirits ‘Tale of Two Spirits’ is a weird, potentially confusing, and funny story about the friendship and connection of two souls, Sunny and Starr, in a universe filled with supernatural wonder and chaos ​ Content Warning: Strong Language Nakota Starr Tobias (they/them) is a Queer Trans Two-Spirit Indigenous actor and playwright currently residing in Calgary, Alberta but is from Treaty 6 Territory, and is Nakota Sioux/Anishinaabe Ojibwe. They are in their 3rd year of a Bachelor in Fine Arts degree, mainly focusing on acting but interested in writing as well. They aim to tell stories of joy, connection, and love through the lens of their intersectional identities, whether this is through bringing it to life as an actor or being the one to write the story themself. Which has motivated and encouraged them to write their play Wild Spirits, that is somewhat based on one of their friendships and has aspects of their personal experience entwined within. They also strive to inspire and uplift the generations to come, and bring forth representation they never had growing up. @theweirdonamedkoda

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Chromatic Theatre is looking for writers/ creators who identify as being part of Indigenous and Black communities, as well as communities of colour, for our sixth annual Playwrights Unit. At Chromatic Theatre we are dedicated to developing and supporting work by and for the wide breadth of cultural diversity that exists in our province. We are excited for the sixth iteration of our Playwrights Unit that will bring together IBPOC playwrights/creators from Mohkins’tsis (Calgary) and surrounding areas, with the aim of strengthening our community, and investing in new Canadian plays. We are looking for racialized playwrights/ creators of all levels of experience. Deadline: October 7, 2024 Please send applications through this Google Form If you have any questions, feel free to contact our Artistic Director, Kodie Rollan, at kodie@chromatictheatre.ca PDF Posting Audio Posting As a part of the Chromatic Theatre Playwrights Unit, you will: Attend one digital group meet and greet in November 2024 Attend a total of eight group workshops between November 2024 - May 2025 Receive up to seven one-on-one dramaturgical sessions with Artistic Director, Kodie Rollan Receive a workshop of your script with an ensemble of actors between June 9 - 14, 2025 Receive a public, in-person reading of your script, performed by an ensemble of professional actors, culminating at the end of the June 9 - 14, 2025 workshop week. Artistic Directors from the Calgary community will be invited to this showcase. Build community with other racialized writers Receive an honorarium of $1000 Applications Accepted via Google Forms Within it, applicants must answer questions pertaining to: A description of the writing project you will be working on as part of the playwrights unit Why you would like to be part of the Playwrights Unit, what you hope to get out of the residency, and why you think you’d be a good fit to work with Chromatic Theatre. Applicants will also be asked to upload one (1) PDF document including Your CV (maximum 2 pages) A writing sample that is a maximum of 20 pages. We also welcome writing samples from other mediums (essays, short stories, poetry, etc.).

We're Hiring Statistician Join Chromatic Theatre in interpreting the narrative that the data reveals about cultural/ethnic diversity in Calgary's professional theatre productions. Be part of YYCTheatreStats' mission to drive positive change through data-driven insights! Apply today. ​ As a Statistician, you will play a crucial role in analyzing and visualizing data collected from 2018 to 2023. Working collaboratively with the Associate Producer and Communication and Marketing Associate, you will explore research questions, suggest analytical approaches, and provide expert knowledge synthesis. Your insights will drive discussions during the Racialized Theatre Community Caucus, shedding light on the impact of these statistics on the Calgary theatre community. Download Job Call Key Responsibilities: Analyze and visualize representations of data Collaborate on data curation for events Evaluate existing data for gaps and propose potential areas for further research Provide statistical expertise and guidance on methodology Research Questions: What story is the data telling us about cultural/ethnic diversity in Calgary's professional theatre productions? What information is absent from the data that may provide additional insights? What potential gaps or limitations exist in our current methodology? Qualifications: Experience in data analysis Currently pursuing or have attained a Bachelor's degree, preferably in a field related to statistics or a relevant quantitative discipline Knowledge of and interest in the arts sector/theatre (an asset) Contract Details: Maximum of 54 hours for the entirety of the contract Hourly rate: $37/hour ​ Priority will be given to racialized artists. ​ Application Deadline: October 2, 2023 or until position is filled. Interviews will begin the following week. Chromatic Theatre is committed to providing an inclusive and accessible recruitment process. Please reach out via email to rebecca@chromatictheatre.ca should you require any accommodations or have specific accessibility needs during the application or interview process. ​ ​Interested candidates should submit their resume, along with a brief statement of interest to Rebecca Comer ​ ​ Application Deadline is October 10 , 2023 or until the position is filled. Interviews will begin the following week. Rebecca@chromatictheatre.ca

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Jordan Baylon General Director Jordan (they/she/he) is a second generation PilipinX artist, critic and community worker imagining justice and abundance for equity-deserving peoples within the spaces of all our relations, personal, communal and societal. With a decade of experience serving in the non-profit arts sector in Mohkinstsis (Calgary), Jordan advocates a collective, grassroots approach to dismantling and rebuilding organizational structures, processes and ideologies with values of anti-racism and social justice. Jordan is a proud associate of CommunityWise’s Anti-Racist Organizational Change program, and co-authoried RE-Tool, a handbook on equity-driven grantmaking as part of Equity in the Panel Room working group. As an artist, Jordan’s work gnaws at the intersection of queer identity, race, colonialism, food, ritual and the deep dark places that represent our possibilities for pleasure and liberation. Contact

Past Project Archive 2015 Playwrights Lab Medea Cowboy vs. Samurai Back to Past Projects

Kisapmata By Bianca Miranda January 30 - February 18, 2024 ​ The Tagalog word “kisapmata” means “blink of an eye.” It’s also the title of a punk banger by Filipino band, Rivermaya. Inspired by this song, this new Canadian play tells the love story of two Filipino women—one living here in Canada and the other, born and raised in the Philippines. Through intimate vignettes, we see the longing, the diving in, and eventually, the letting go. Photos by Benjamin Laird We are proud to present the world premiere of this unique queer love story by Calgary playwright Bianca Miranda at Chromatic, with direction by Gina Puntil, co-produced by Lunchbox Theatre and presented as part of One Yellow Rabbit’s High Performance Rodeo. Kisapmata has been in development since 2021, when it was part of our IBPOC Playwrights Unit, and it was featured in both the Stage One Festival of New Canadian Work and Stage Two at Lunchbox Theatre in 2022. Playwright Bianca Miranda also recently premiered The F-Word, co-written and performed with Keshia Cheesman, in a Downstage Production at Alberta Theatre Projects, which was nominated for "Outstanding New Play" at the Betty Mitchell Awards. Directed by Gina Puntil Co-Production with Lunchbox Theatre and presented by One Yellow Rabbit as part of the 38th Annual High Performance Rodeo . ​ Poster Artwork by Maezy Reign CAST AND CREW Michelle Diaz • A Isabella Pedersen • B ​ Gina Puntil • Director Kodie Rollan • Assistant Director & Dramaturg Thomas Geddes • Video & Projection Design Cassie Holmes • Set & Costume Design Gladzy Kei • Grapic Designer Kp Smith • Lx Design Sallie Mae Salcedo • Sound Design Jennifer Yeung • Stage Manager Rebecca Orion • Apprentice Stage Manager Bianca Miranda • Playwright ADDITIONAL INFORMATION Program Local Vendors

The Green Line April 3, 2030 During the Lebanese Civil War, Naseeb wants his sister to withdraw from her university studies and move to the mountains. But Mona is secretly falling in love with her classmate Yara. Forty years later, Rami, a Lebanese Canadian student, comes to Lebanon to bury his father, Naseeb. That night, he meets Zidan, a drag queen at a queer Beirut nightclub and things take an unexpected turn. Past and present braid together in The Green Line’s contemplation of how memories are inherited or erased. This is a co-production between Downstage Theatre & Chromatic Theatre. ​ ​ Cast and Creative Team Makram Ayache: Playwright / Rami / Naseeb Filsan Dualeh: Yara Ryan Abd’u’llah Hooper: Zidan / Fifi Sepidar Yeganeh Farid: Mona Jenna Rodgers: Director Chris Austman: Sound Design & Original Music Ajay Badoni: Lighting Design Abbie Brokenshire: Costume Design Assistant Alia Shahab: Set Design Jordan Wieben: Costume Design Aldona Barutowicz: Publicist Jesse Del Fierro: Assistant Director Adam Kostiuk: Production Manager / Technical Director Evan Medd: Dramaturg Donna Sharpe: Stage Manager Back to Past Projects

Rebecca Comer Acting Associate Producer Rebecca Comer (she/her) is a theatre creator, performer, and educator. She holds a master’s degree in Theatre Studies from the University of Calgary’s School of Creative and Performing Arts. Her artistic practice includes playwriting, performance creation, and acting. Her focus is on creating work for Black audiences, often exploring vulnerability through autobiographical storytelling. ​ Contact

Maezy Reign Markerting and Communications Maezy Reign (they/she) is a biracial multidisciplinary artist, born and raised in Calgary. They work as a playwright, lighting designer and occasional actor. They are determined to create art that has the representation she never saw growing up, like mentally ill, gender diverse, queer, and racialized main characters. ​ Both my parents are theatre artists and entrepreneurs so I've been raised in a very artsy family. Maezy is a mixed-race black artist. Maezy's paternal grandmother grew up in St. Vincent in the Caribbean and immigrated to Canada in the 70's. Performance and Creative Credits include; Gaslight (Vertigo), The F Word (Downstage and ATP) Shark Bite (Lunchbox Theatre), Hay Coloured Houses (Paprika Festival), Sir Gawain and the Green Knight (Alchemy Festival), Hang In There (Chromatic PLU), This isn’t home (fear the festival), Psychotic Bitch (Ignite Festival), Revolution or Slumber (WCHS with HPR), Donut Diaries (Ignite Festival) Contact

Media An Important Message from our Artistic Director Jenna Rodgers Read More Winners and Losers Media Release Read More Artistic Director Jenna Rodgers Receives Lieutenant Governor of Alberta’s Emerging Artist Award Read More Medea Media Release Read More Cowboy Versus Samurai Media Release Read More Avenue Magazine – Interview with Mike Tan Read More