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Co-Production with Thumbs Up Good Work and presented by One Yellow Rabbit as part of the 40th Annual High Performance Rodeo. Hucksterland Book by Caleigh Crow Music & Lyrics by Sacha Crow & Gus Rendell Co-produced with Thumbs Up Good Work Theatre As part of the 40th Annual High Performance Rodeo Performance dates: (More info on special performances below) Wednesday, January 28 - 7:30pm (Preview) Thursday, January 29 - 7:30pm (Opening Night) ** Friday, January 30 - 7:30pm Saturday, January 31 - 2:00pm (Accessible & Audience Masked Performance) Saturday, January 31 - 7:30pm Wednesday, February 4 - 7:30pm (Student Night) ** Thursday, February 5 - 7:30pm Friday, February 6 - 7:30pm ** (Info Night with Humans of Interest) ** Saturday, February 7 - 2:00pm (Accessible & Audience Masked Performance) Saturday, February 7 - 7:30pm (Closing Night) ** asterisked performances includes catering from Kokom's Bannock Kitchen + Catering ABOUT THE SHOW: When the city is built on lies, someone has to bring the house down. Corporate landlord Jordan Jamieson sits at the top of his empire. He is rich, ruthless and riding high alongside his whip smart executive assistant and the mayor in his back pocket. It's not long before a fearless prosecutor starts asking questions and we see cracks beginning to form and Jordan's power starting to crumble. From award-winning playwright Caleigh Crow, and composers Sacha Crow and Gus Rendell, Hucksterland is a new musical pulsing with humour, heart and rebellion. It’s loud. It’s fearless. And when the music stops, not everyone makes it out alive. Content warnings: Course language, examples of homophobia, misogyny, ableism, portrayal of sexual acts, heavy drinking, and heavy drug use. Accessibility considerations: bright & flashing lights & loud punk music Get Tickets LOCATION All performances take place At the Alexandra Centre Society Concert Hall 922 9 Ave. S.E. You can access the main entrance of the ACS hall from 9 Ave SE. This entrance also has a ramp for wheelchair accessibility The doors have push-to-open buttons Street parking available on 9 St SE Limited parking is available within the ACS premises Learn More CAST AND CREW CREATIVE TEAM CALEIGH CROW • Book Writer and Director SACHA CROW • Music & Lyrics, Music Director, and Sound Design GUS RENDELL • Music & Lyrics and Drummer MACKENZIE MEDING • Bassist NEIL FLEMING • Technical Director and Set & Projection Designer KATRIONA DUNN • Costume & Props Designer AJAY BADONI • Lighting Designer NAOMI ESAU • Stage Manager Sabrena Shah Baigzada • Assistant Stage Manager KODIE ROLLAN • Producer & Production Manager SAMUEL KUGBIYI • Production Mentee CAST MIKE TAN • JORDAN JAMIESON JOSH BERTWISTLE • JAN VAN JAN MICHELLE THRUSH • BELINDA SAFIA COMTOIS-MOHAMAD • ASPYN COLORADO COLIN WOLF • FRITZ TECHNICAL CREW MARC LAVALLEE • Theatre Technician ABBY WEEKS • Theatre Technician SALLIEMAE SALCEDO • Sound Technician ANA MULINO • Production Assistant SPECIAL PERFORMANCES BROWN OUT NIGHT - SATURDAY, JANUARY 31, 2026 - 7:30 PM Brown stories for a brown audience! We are excited to invite the Indigenous and IBPOC community to Brown Out Night for the premiere of Hucksterland Book by Caleigh Crow Music & Lyrics by Sacha Crow & Gus Rendell. We are specifically inviting those who identify as being part of racialized communities (Black, Indigenous, People of Colour) to make up our audience for this show. With that in mind, we will not be turning away anyone who purchases a ticket for this performance. We do ask that if you do not identify as being part of a racialized group, please ask yourself why you would like to attend, and what you will add to the space. With special post-show music by the band, Ghostkeeper and catering from Kokom's Bannock Kitchen + Catering. ACCESSIBLE PERFORMANCES (AUDIO DESCRIBED + AUDIENCE MASKED) - SATURDAY AFTERNOONS (JANUARY 31 & FEBRUARY 6, 2026 at 2:00 PM) INFO NIGHT WITH HUMANS OF INTEREST - FRIDAY, FEBRUARY 6, 2026 - 7:30 PM Join us as we invite our pals at Humans of Interest to facilitate a post-show chat all about housing! Human Interest with Col Cseke: A pop up talk show that welcomes defiant Calgarians to the stage to find laughs in the news and revel in the interesting humans that make Calgary the fascinating and infuriating place it is. fieldworkstories.com/human-interest With special post-show snacks courtesy of Kokom's Bannock Kitchen + Catering. ADDITIONAL INFORMATION Program Plain Text

Chromatic Theatre is a theatre company that develops, supports, and creates space for racialized theatre artists in Moh'kins'tsis (Calgary). Learn More Get Involved Charitable Status Update Learn More Call For Board Members Learn More Past Shows Learn More Learn More Kisapmata Learn More Learn More Sign Up STATIC: A Party Girl's Memoir Learn More Learn More Playwrights Unit 2024 Contact Us Directly! Artistic Director Associate Producer Marketing General Email Name* Email* Subject* Write a message* Send

Apply to the 23/24 Playwrights Unit now! Chromatic Theatre is so excited to Introduce our 2023/24 Playwrights Unit Cohort! Take some time and get to know each playwright Program Alia Sofia Mara Nakota Tech & Design Actors Directors Stage Manager: Sabrena Shah Baigzada Tech/Design help: Natalia Cortes Dramaturg/ Producer: Kodie Rollan Tania Alvarado Filsan Dualeh Sunny Faust Amy On Tiffany Thomas Keshia Cheesman Javier Vilalta Marshall Vielle Jenna Rodgers Roma Inspired by the playwrights time as a transient muralist working at and living in a Roman Hotel, “Roma” follows a series of intimate, confrontational, and often humorous events shared between international guests and workers. Narrated by a jaded yet brutally honest Turkish handyman, the hotel's longest-standing resident, who critically observes how love and connection flourish in defiance of language, culture, and time barriers. Alia Aluma is an award-winning artist, designer, and writer who works in various industries, including academia, philanthropy, and creative. She has lived, worked, and studied on three different continents, gaining notable experiences with the fashion and fine art networks of Hong Kong, as a muralist in Italy, a fashion photographer in England, and creative director, curator, and designer in Calgary, AB. With three degrees from top ranked global universities, Alia also devotes a great deal of time to education as a public speaker, guest instructor, or mentor in her fields of study: Art & History, Communications, Commerce, Film, and World Culture. Her global and enriching experiences have lent her toward a pursuit in philanthropy where she works with organisations that support youth through mentorship and fundraising, and is in the early stages of starting the Aluma Scholarship Foundation with her father, a leader within his community, and twin brother, while also donating hundreds of hours to in-kind services annually. @aliaaluma Death and The Poet Death and grief are parts of life we can’t escape, no matter how fast we run. In this theatre and movement show, we follow the Poet as they navigate encountering, accepting, and eventually befriending Death. Drawing from the playwright’s Mexican cultural understanding of Death, this show is a love letter to living, grieving, and making art to make sense of the world. Content Warning: explicit descriptions of death, mentions of sexual and gender violence, mentions of suicidal ideation Sofia Huarte Aguilar (they/them) is a first generation Mexican immigrant residing in Moh’kins’tsis, and pursuing a combined degree in Drama and Philosophy at the University of Calgary. Also an activist and a student organizer, Sofia’s artistic and academic practice revolves around constructing radical pedagogical tools for performance. They are deeply passionate about diversifying the theatre, and utilizing it as a critical tool for liberation. Their recent acting credits include Argonautika, directed by Randi Edmundson at the SCPA, and Hookman, directed by Jenna Rodgers and produced in collaboration with Chromatic Theatre and the SCPA. @sofia_huarte18 The Eaten A bachelorette party rents a house in the country for a weekend of salacious revelry. However, unknown to them, the owner of the house has different, more sinister plans in mind. The party goes rapidly sideways in this absurdist dark comedy. Content Warning: Misogyny, Misogynistic/derogatory language, Profanity, Transphobia, Sexual content and language, and Violence Mara Teare is an emerging interdisciplinary artist. Originally from Saskatoon, she has recently found a new artistic home in Calgary. She made her Calgary debut as Mowgli in Alberta Theatre Projects production of The Jungle Book. Graduating from the National Theatre School of Canada's acting program, Mara is dedicated to amplifying marginalized voices through her work. She's eager to develop her skills as a writer. Her stage credits include; The Jungle Book (Alberta Theatre Projects), Crypthand (Gale Force Theatre), Cymbeline (Shakespeare on the Saskatchewan), Everybody, Indecent (National Theatre School), and Young Ones (SUM Theatre). Additionally, she has written one previous play sad girls watch The Princess Bride. @marateare Tale of Two Spirits ‘Tale of Two Spirits’ is a weird, potentially confusing, and funny story about the friendship and connection of two souls, Sunny and Starr, in a universe filled with supernatural wonder and chaos Content Warning: Strong Language Nakota Starr Tobias (they/them) is a Queer Trans Two-Spirit Indigenous actor and playwright currently residing in Calgary, Alberta but is from Treaty 6 Territory, and is Nakota Sioux/Anishinaabe Ojibwe. They are in their 3rd year of a Bachelor in Fine Arts degree, mainly focusing on acting but interested in writing as well. They aim to tell stories of joy, connection, and love through the lens of their intersectional identities, whether this is through bringing it to life as an actor or being the one to write the story themself. Which has motivated and encouraged them to write their play Wild Spirits, that is somewhat based on one of their friendships and has aspects of their personal experience entwined within. They also strive to inspire and uplift the generations to come, and bring forth representation they never had growing up. @theweirdonamedkoda

Apply to the 23/24 Playwrights Unit now! Chromatic Theatre is looking for applications from writers/ creators who identify as being Indigenous, Black, or a Person of Colour from all levels of experience. At Chromatic Theatre we are dedicated to developing and supporting work by and for the wide breadth of cultural diversity that exists in our province. We are excited for the seventh iteration of our Playwrights Unit that will bring together IBPOC playwrights/creators from Mohkins’tsis (Calgary) and surrounding areas, with the aim of strengthening our community, and investing in new Canadian plays. If you have any questions about the application or have barriers to applying through this google form, please contact Artistic Director, Kodie Rollan at kodie@chromatictheatre.ca Deadline: September 22, 2025 Please send applications through this Google Form If you have any questions, feel free to contact our Artistic Director, Kodie Rollan, at kodie@chromatictheatre.ca PDF Posting As a part of the Chromatic Theatre Playwrights Unit, you will: Attend one digital group meet and greet in October 2025 Attend a total of eight group workshops between October 2025 - May 2026 Receive up to seven one-on-one dramaturgical sessions with Artistic Director, Kodie Rollan Receive a workshop of your script with an ensemble of actors between June 9 - 14, 2026 Receive a public, in-person reading of your script, performed by an ensemble of professional actors, culminating at the end of the June 9 - 14, 2026 workshop week. Artistic Directors from the Calgary community will be invited to this showcase. Build community with other racialized writers Receive an honorarium of $1000 Applications Accepted via Google Forms Within it, applicants must answer questions pertaining to: A description of the writing project you will be working on as part of the playwrights unit Why you would like to be part of the Playwrights Unit, what you hope to get out of the residency, and why you think you’d be a good fit to work with Chromatic Theatre. Applicants will also be asked to upload one (1) PDF document including Your CV (maximum 2 pages) A writing sample that is a maximum of 20 pages. We also welcome writing samples from other mediums (essays, short stories, poetry, etc.).

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Maezy Reign Markerting and Communications Maezy Reign (they/she) is a biracial multidisciplinary artist, born and raised in Calgary. They work as a playwright, lighting designer and occasional actor. They are determined to create art that has the representation she never saw growing up, like mentally ill, gender diverse, queer, and racialized main characters. Both my parents are theatre artists and entrepreneurs so I've been raised in a very artsy family. Maezy is a mixed-race black artist. Maezy's paternal grandmother grew up in St. Vincent in the Caribbean and immigrated to Canada in the 70's. Performance and Creative Credits include; Gaslight (Vertigo), The F Word (Downstage and ATP) Shark Bite (Lunchbox Theatre), Hay Coloured Houses (Paprika Festival), Sir Gawain and the Green Knight (Alchemy Festival), Hang In There (Chromatic PLU), This isn’t home (fear the festival), Psychotic Bitch (Ignite Festival), Revolution or Slumber (WCHS with HPR), Donut Diaries (Ignite Festival) Contact

Contact Chromatic Theatre's staff. We would love to help you out if you have any questions or concerns. Contact Us info@chromatictheatre.ca First Name Last Name Email Message Send Thanks for submitting!

Jenna Rodgers Founding Artistic Director Jenna is a mixed-race Director and Dramaturg based in Calgary, on Treaty 7 Territory. Jenna is the founding Artistic Director of Chromatic Theatre – a company dedicated to producing and developing work by and for artists of colour. Jenna is also the Dramaturg for the Playwrights Lab at the Banff Centre for Arts and Creativity. A passionate arts equity advocate, she is a graduate of the NTS Artistic Leadership Residency, the Banff Centre’s Cultural Leadership program, and the artEquity National Facilitator Training cohort. She holds an MA in International Performance Research from the universities of Amsterdam and Tampere. Recent Directing credits include Mary’s Wedding at the Citadel Theatre, Actually at Alberta Theatre Projects, and Sherlock Holmes and the Raven’s Curse at Vertigo Theatre; For Chromatic Theatre (我的名是张欣恩 (Gimme Chance Leh), Winners and Losers, Cowboy Versus Samurai); fu-GEN Theatre (Mixie and the Halfbreeds); Workshop West Theatre (Beyond the Darkness); Pape and Taper Theatre (Timmy, Tommy, and the Haunted Hotel);and Lunchbox Theatre (Let the Light of Day Through).She was selected as part of the 2020 Michael Langham Directors Conservatory at the Stratford Festival. Contact

Meet Chromatic Theatre's new 2025 Playwrights Unit Cohort! Melanee Murray-Hunt, Kathleen Faith Ballangan, and Jessica Szeto. Melanee Murray-Hunt SHE/HER Melanee, writer, actor filmmaker has written, directed and produced seven award-winning short films as well as wrote and starred in her award winning solo show, "The ‘Hoodwink" which received critical acclaim in Calgary and New York. She is currently completing her Masters Degree in Creative Writing at UBC (University of British Columbia). At UBC, Melanee was a recent recipient of the prestigious SSHRC, (Social Sciences & Humanities Research Council) Award and in Calgary, she won the 2023 Brenda Strathern Literary Award for her current literary project, "Moesha’s Mass." Melanee's film, "The Invincible Jayson Garvey," will be having its New York City Premiere at the Kwanzaa Film Festival and was an official selection for the Root Experience Film Festival in Seattle. As an actor she can be seen on camera in various independent, network and studio producers such as CBC, NBC, CBS, and Hallmark. She had a recent role in the upcoming, hilarious short film, "Now I am a Bear." Kathleen is a Filipino-Canadian artist, actor, and drama educator born and raised in Mohkintsis. She graduated with a BFA in Drama from the University of Calgary in 2022 and has since performed on stage with local theatre companies like Theatre Calgary and Lunchbox Theatre. Outside of performing, Kathleen spends her time teaching young people drama, nursing sore muscles from her pole dancing classes, and acting for the screen in her partner’s films. Ignited by the need for more racially diverse representation in the Calgary theatre scene, Kathleen hopes that her work as a performer, teacher, and creator will assure other young artists of colour that they belong in this community too. Kathleen Faith Ballangan SHE/HER Jessica Szeto is a multidisciplinary artist born, raised, and currently based in Calgary, Alberta. As a writer, software developer, and media artist, she is interested in storytelling across a variety of mediums. Her work often explores relationships between technology, history, and emotions. She holds a BSc Honours in Computer Science from the University of Calgary. Jessica Szeto SHE/HER

Kisapmata By Bianca Miranda January 30 - February 18, 2024 The Tagalog word “kisapmata” means “blink of an eye.” It’s also the title of a punk banger by Filipino band, Rivermaya. Inspired by this song, this new Canadian play tells the love story of two Filipino women—one living here in Canada and the other, born and raised in the Philippines. Through intimate vignettes, we see the longing, the diving in, and eventually, the letting go. Photos by Benjamin Laird We are proud to present the world premiere of this unique queer love story by Calgary playwright Bianca Miranda at Chromatic, with direction by Gina Puntil, co-produced by Lunchbox Theatre and presented as part of One Yellow Rabbit’s High Performance Rodeo. Kisapmata has been in development since 2021, when it was part of our IBPOC Playwrights Unit, and it was featured in both the Stage One Festival of New Canadian Work and Stage Two at Lunchbox Theatre in 2022. Playwright Bianca Miranda also recently premiered The F-Word, co-written and performed with Keshia Cheesman, in a Downstage Production at Alberta Theatre Projects, which was nominated for "Outstanding New Play" at the Betty Mitchell Awards. Directed by Gina Puntil Co-Production with Lunchbox Theatre and presented by One Yellow Rabbit as part of the 38th Annual High Performance Rodeo . Poster Artwork by Maezy Reign CAST AND CREW Michelle Diaz • A Isabella Pedersen • B Gina Puntil • Director Kodie Rollan • Assistant Director & Dramaturg Thomas Geddes • Video & Projection Design Cassie Holmes • Set & Costume Design Gladzy Kei • Grapic Designer Kp Smith • Lx Design Sallie Mae Salcedo • Sound Design Jennifer Yeung • Stage Manager Rebecca Orion • Apprentice Stage Manager Bianca Miranda • Playwright ADDITIONAL INFORMATION Program Local Vendors

Rebecca Comer Acting Associate Producer Rebecca Comer (she/her) is a theatre creator, performer, and educator. She holds a master’s degree in Theatre Studies from the University of Calgary’s School of Creative and Performing Arts. Her artistic practice includes playwriting, performance creation, and acting. Her focus is on creating work for Black audiences, often exploring vulnerability through autobiographical storytelling. Contact