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We're Hiring Assistant Stage Manager Chromatic Theatre & Inside Out Theatre is in immediate need of an assistant stage manager for our upcoming production of Static by Ashley King . The engagement date begins on August 12th and ends on September 15th, with opening night slated for September 5th. ​ APPLICATION DEADLINE: TUESDAY, JULY 16TH ​ ​ ABOUT THE SHOW Mexican Canadian artist Ashley King (she/her) is a legally blind performer and writer. Her piece, Static: A Party Girl’s Memoirs is a coming-of-age story based on true events, written and performed by Ashley, a young woman whose life is all about booze, boys, and late-night parties. But when she wakes up blind while on holiday, she’ll have to face her darkest depths of grieving a new life she didn’t choose or want. Not your typical inspiration story, Static offers a poignant and humorous take on the struggles and triumphs of a young woman learning to navigate the world without sight. With moments of laughter and tears, this dark comedy explores whether everything happens for a reason and if joy can really be found in unexpected places. ​ ​ ​ ​ ​ ​ Download Full Job Call Link to submit application Key Responsibilities: Assisting the Stage Manager with rehearsals and running of production Offering some additional accessibility support for our actor with visual impairment (Orientation and sighted guide training will be offered by the producing companies). ​ Please note at this time we are only accepting applications for artists based in Calgary, AB. Other important information: It is worth noting that the venue of the production is an unconventional theatre space. Both rehearsals and performances will be taking place in Inside Out Theatre’s new venue at 625 11th Avenue S.W., Calgary, AB, The Assistant Stage Manager may be seen by the audience during the performance. ​ Contract Details: Fee: The Assistant Stage Manager will be paid a weekly fee of $759.00 CAD as outlined by the Dance, Opera, Theatre Agreement of the CAEA for a total of 5 weeks of engagement. (Please note that this position does not go towards apprentice credits)​​​ ​ Chromatic Theatre is committed to providing an inclusive and accessible recruitment process. If you have any questions, please feel free to contact our Artistic Director, Kodie Rollan at kodie@chromatictheatre.ca ​ ​Interested candidates can submit their application via this google form. Within the form, we are requesting an up to date CV and a cover letter outlining why you're interested in the position.​​ kodie@chromatictheatre.ca Link to submit application

Archive Kisapmata 2024 Co-Produced with Lunchbox Theatre ​ Direction by Gina Puntil Written by Bianca Miranda The Tagalog word “kisapmata” means “blink of an eye.” It’s also the title of a punk banger by Filipino band, Rivermaya. Inspired by this song, this new Canadian play tells the love story of two Filipino women—one living here in Canada and the other, born and raised in the Philippines. Through intimate vignettes, we see the longing, the diving in, and eventually, the letting go. ​ Kisapmata has been in development since 2021, when it was part of our IBPOC Playwrights Unit, and it was featured in both the Stage One Festival of New Canadian Work and Stage Two at Lunchbox Theatre in 2022. Stages of Transformation: feel ur feels (CRINGE LIBERATION) 2023 Presented at Rumble Festival Created by Kris Vanessa Teo Xin-En As we attempt survival in a white supremist and capitalistic society, it is so easy for us to cut ourselves off from how we are feeling, to deny ourselves pleasure, to move at high speeds, to ignore our needs, to bypass processing our lived experiences, to numb sensations that come up, to live through our days on autopilot, to hide who we are and to fast-forward anything that feels uncomfortable. Creating feel ur feels (CRINGE LIBERATION) is a way for me to practice the small actions and connections of listening to the deep feeling and nonrational eroticism within me, and to practice with my friendos, pals and buddy buds, through conversation, stopping to notice what’s around me, in me, and to follow the curiosities that come up along the way. Hookman 2023 Co-Produced with University of Calgary SCPA ​ Direction by Jenna Rodgers Written by Lauren Yee First year university life gets even harder for Lexi when she’s feeling homesick, her roommate is super weird, and a hook-handed serial killer is slashing girls’ throats. When Lexi discovers what really happened to her high school best friend, she learns what it means to grow up – and it isn’t pretty. 我的名是张欣恩 (Gimme Chance Leh) Redux: A Team Together 2021 Direction by Thomas Geddes Written by Kris Vanessa Teo Xin-En Chromatic Theatre is proud to present the AUDIO PLAY version of 我的名是张欣恩 (Gimme chance leh) written and performed by Kris Vanessa Teo. Thanks to support from the CBC Digital Originals program, this project is now streaming live and 100% FREE from the CBC website. Grab a snack, strap on a pair of your favourite headphones, click here and give it a listen! The Green Line 2022 Co-Produced with Downstage Theatre Direction by Jenna Rodgers Written by Makram Ayache During the Lebanese Civil War, Naseeb wants his sister to withdraw from her university studies and move to the mountains. But Mona is secretly falling in love with her classmate Yara. Forty years later, Rami, a Lebanese Canadian student, comes to Lebanon to bury his father, Naseeb. That night, he meets Zidan, a drag queen at a queer Beirut nightclub and things take an unexpected turn. Past and present braid together in The Green Line’s contemplation of how memories are inherited or erased. Cowboy Versus Samurai Direction by Jenna Rodgers Written by Michael Golamco Cowboy Versus Samurai is a modern-day comedic take on the Edmond Rostad classic, Cyrano de Bergerac. Our protagonist Travis Park is the only Korean American in the dusty cowboy town of Breakneck, Wyoming. When the beautiful and clever Veronica Lee moves to town to fill the post of science teacher, he’s immediately smitten – until she reveals that she only dates white men. Travis must choose whether to ally with the “cowboy”: the handsome gym teacher, Del; or the “samurai”: best friend, and militant Asian of unknown origin, Chester. He must choose between the Asian and the American within himself in the pursuit for love that may only be as real as the love letters he writes on behalf of someone else. Winners and Losers 2018 Presented at Summerworks Festival Written by James Long and Marcus Youssef Adapted by Valerie Planche, Makambe K. Simamba and Jenna Rodgers Winners and Losers is one part game, one part conversation that leans into our universally flawed human logic, and the desire to win at all costs. Valerie Planche and Makambe K. Simamba, two powerhouse performers at different stages of life and careers, debate whether people, places or things – Robin Williams, camping, Meghan Markle, private schools – are winners or losers. This exploration of female friendships leads us down a spiralling path of staunch sisterhood and deep-seated difference. As the discussion gets personal, how far is too far when confronting deep-seated beliefs? Based on the Governor General Award-nominated text by Marcus Youssef and James Long, this homegrown adaptation – re-written and re-cast with an all-female team – premiered to rave reviews at Toronto’s SummerWorks Performance Festival! Medea Direction by Alyssa Bradac Written by Euripides, Translated by Robin Robertson Chromatic Theatre is producing a highly contemporary and anti-colonial production of Euripides’ classic tragedy, Medea. After Jason captures the Golden Fleece, in large part because of Medea, her magic, and her betrayal against her family, Jason takes Medea as a wife. A few years pass, their sons grow and prosper, when Jason decides to take another bride from his Grecian homeland for political reasons, offering to keep Medea as a mistress, illegitimating their children in the process. To keep her agency, self-respect, and cultural identity, she pays the ultimate price and kills her children.

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Chromatic Theatre is so excited to Introduce our 2023/24 Playwrights Unit Cohort! Take some time and get to know each playwright Program Alia Sofia Mara Nakota Tech & Design Actors Directors Stage Manager: Sabrena Shah Baigzada Tech/Design help: Natalia Cortes Dramaturg/ Producer: Kodie Rollan Tania Alvarado Filsan Dualeh Sunny Faust Amy On Tiffany Thomas Keshia Cheesman Javier Vilalta Marshall Vielle Jenna Rodgers Roma Inspired by the playwrights time as a transient muralist working at and living in a Roman Hotel, “Roma” follows a series of intimate, confrontational, and often humorous events shared between international guests and workers. Narrated by a jaded yet brutally honest Turkish handyman, the hotel's longest-standing resident, who critically observes how love and connection flourish in defiance of language, culture, and time barriers. Alia Aluma is an award-winning artist, designer, and writer who works in various industries, including academia, philanthropy, and creative. She has lived, worked, and studied on three different continents, gaining notable experiences with the fashion and fine art networks of Hong Kong, as a muralist in Italy, a fashion photographer in England, and creative director, curator, and designer in Calgary, AB. With three degrees from top ranked global universities, Alia also devotes a great deal of time to education as a public speaker, guest instructor, or mentor in her fields of study: Art & History, Communications, Commerce, Film, and World Culture. Her global and enriching experiences have lent her toward a pursuit in philanthropy where she works with organisations that support youth through mentorship and fundraising, and is in the early stages of starting the Aluma Scholarship Foundation with her father, a leader within his community, and twin brother, while also donating hundreds of hours to in-kind services annually. @aliaaluma Death and The Poet Death and grief are parts of life we can’t escape, no matter how fast we run. In this theatre and movement show, we follow the Poet as they navigate encountering, accepting, and eventually befriending Death. Drawing from the playwright’s Mexican cultural understanding of Death, this show is a love letter to living, grieving, and making art to make sense of the world. ​ Content Warning: explicit descriptions of death, mentions of sexual and gender violence, mentions of suicidal ideation Sofia Huarte Aguilar (they/them) is a first generation Mexican immigrant residing in Moh’kins’tsis, and pursuing a combined degree in Drama and Philosophy at the University of Calgary. Also an activist and a student organizer, Sofia’s artistic and academic practice revolves around constructing radical pedagogical tools for performance. They are deeply passionate about diversifying the theatre, and utilizing it as a critical tool for liberation. Their recent acting credits include Argonautika, directed by Randi Edmundson at the SCPA, and Hookman, directed by Jenna Rodgers and produced in collaboration with Chromatic Theatre and the SCPA. @sofia_huarte18 The Eaten A bachelorette party rents a house in the country for a weekend of salacious revelry. However, unknown to them, the owner of the house has different, more sinister plans in mind. The party goes rapidly sideways in this absurdist dark comedy. ​ Content Warning: Misogyny, Misogynistic/derogatory language, Profanity, Transphobia, Sexual content and language, and Violence Mara Teare is an emerging interdisciplinary artist. Originally from Saskatoon, she has recently found a new artistic home in Calgary. She made her Calgary debut as Mowgli in Alberta Theatre Projects production of The Jungle Book. Graduating from the National Theatre School of Canada's acting program, Mara is dedicated to amplifying marginalized voices through her work. She's eager to develop her skills as a writer. Her stage credits include; The Jungle Book (Alberta Theatre Projects), Crypthand (Gale Force Theatre), Cymbeline (Shakespeare on the Saskatchewan), Everybody, Indecent (National Theatre School), and Young Ones (SUM Theatre). Additionally, she has written one previous play sad girls watch The Princess Bride. @marateare Tale of Two Spirits ‘Tale of Two Spirits’ is a weird, potentially confusing, and funny story about the friendship and connection of two souls, Sunny and Starr, in a universe filled with supernatural wonder and chaos ​ Content Warning: Strong Language Nakota Starr Tobias (they/them) is a Queer Trans Two-Spirit Indigenous actor and playwright currently residing in Calgary, Alberta but is from Treaty 6 Territory, and is Nakota Sioux/Anishinaabe Ojibwe. They are in their 3rd year of a Bachelor in Fine Arts degree, mainly focusing on acting but interested in writing as well. They aim to tell stories of joy, connection, and love through the lens of their intersectional identities, whether this is through bringing it to life as an actor or being the one to write the story themself. Which has motivated and encouraged them to write their play Wild Spirits, that is somewhat based on one of their friendships and has aspects of their personal experience entwined within. They also strive to inspire and uplift the generations to come, and bring forth representation they never had growing up. @theweirdonamedkoda

We're Hiring Statistician Join Chromatic Theatre in interpreting the narrative that the data reveals about cultural/ethnic diversity in Calgary's professional theatre productions. Be part of YYCTheatreStats' mission to drive positive change through data-driven insights! Apply today. ​ As a Statistician, you will play a crucial role in analyzing and visualizing data collected from 2018 to 2023. Working collaboratively with the Associate Producer and Communication and Marketing Associate, you will explore research questions, suggest analytical approaches, and provide expert knowledge synthesis. Your insights will drive discussions during the Racialized Theatre Community Caucus, shedding light on the impact of these statistics on the Calgary theatre community. Download Job Call Key Responsibilities: Analyze and visualize representations of data Collaborate on data curation for events Evaluate existing data for gaps and propose potential areas for further research Provide statistical expertise and guidance on methodology Research Questions: What story is the data telling us about cultural/ethnic diversity in Calgary's professional theatre productions? What information is absent from the data that may provide additional insights? What potential gaps or limitations exist in our current methodology? Qualifications: Experience in data analysis Currently pursuing or have attained a Bachelor's degree, preferably in a field related to statistics or a relevant quantitative discipline Knowledge of and interest in the arts sector/theatre (an asset) Contract Details: Maximum of 54 hours for the entirety of the contract Hourly rate: $37/hour ​ Priority will be given to racialized artists. ​ Application Deadline: October 2, 2023 or until position is filled. Interviews will begin the following week. Chromatic Theatre is committed to providing an inclusive and accessible recruitment process. Please reach out via email to rebecca@chromatictheatre.ca should you require any accommodations or have specific accessibility needs during the application or interview process. ​ ​Interested candidates should submit their resume, along with a brief statement of interest to Rebecca Comer ​ ​ Application Deadline is October 10 , 2023 or until the position is filled. Interviews will begin the following week. Rebecca@chromatictheatre.ca

我的名是张欣恩 (Gimme Chance Leh)by Kris Vanessa Teo Chromatic Theatre is proud to present the AUDIO PLAY version of 我的名是张欣恩 (Gimme chance leh) written and performed by Kris Vanessa Teo. ​ Thanks to support from the CBC Digital Originals program, this project is now streaming live and 100% FREE from the CBC website. Grab a snack, strap on a pair of your favourite headphones, click on the button below and give it a listen! ​ 我的名是张欣恩 (Gimme chance leh) Written & performed by Kris Vanessa Teo Co-directed by Thomas Geddes & Jenna Rodgers Assistant Direction by Jesse Del Fierro Sound Design & Editing by Thomas Geddes ​ We hope to continue the momentum of this project with a live production when it is safe to do so. In the meantime, thank you for your support, and happy listening! ​ ​ ​ Back to Past Projects Listen Now! Digital Program

Want to support Chromatic Theatre? We are a not-for-profit organization, but do not have federal charitable status. As a result, we cannot issue tax receipts. ​ If you still wish to make a donation, we can accept Canadian e-mail money transfers at theatrechromatic@gmail.com . ​ THANK YOU!! Donate: About Us

Kisapmata By Bianca Miranda January 30 - February 18, 2024 ​ The Tagalog word “kisapmata” means “blink of an eye.” It’s also the title of a punk banger by Filipino band, Rivermaya. Inspired by this song, this new Canadian play tells the love story of two Filipino women—one living here in Canada and the other, born and raised in the Philippines. Through intimate vignettes, we see the longing, the diving in, and eventually, the letting go. Photos by Benjamin Laird We are proud to present the world premiere of this unique queer love story by Calgary playwright Bianca Miranda at Chromatic, with direction by Gina Puntil, co-produced by Lunchbox Theatre and presented as part of One Yellow Rabbit’s High Performance Rodeo. Kisapmata has been in development since 2021, when it was part of our IBPOC Playwrights Unit, and it was featured in both the Stage One Festival of New Canadian Work and Stage Two at Lunchbox Theatre in 2022. Playwright Bianca Miranda also recently premiered The F-Word, co-written and performed with Keshia Cheesman, in a Downstage Production at Alberta Theatre Projects, which was nominated for "Outstanding New Play" at the Betty Mitchell Awards. Directed by Gina Puntil Co-Production with Lunchbox Theatre and presented by One Yellow Rabbit as part of the 38th Annual High Performance Rodeo . ​ Poster Artwork by Maezy Reign CAST AND CREW Michelle Diaz • A Isabella Pedersen • B ​ Gina Puntil • Director Kodie Rollan • Assistant Director & Dramaturg Thomas Geddes • Video & Projection Design Cassie Holmes • Set & Costume Design Gladzy Kei • Grapic Designer Kp Smith • Lx Design Sallie Mae Salcedo • Sound Design Jennifer Yeung • Stage Manager Rebecca Orion • Apprentice Stage Manager Bianca Miranda • Playwright ADDITIONAL INFORMATION Program Local Vendors

Kristen Padayas Associate Producer Kristen is a graduate of Grant MacEwan College’s Theatre Arts Program and the University of Alberta’s Bachelor of Fine Arts Acting Program. Select acting credits include: Bare: A Pop Opera (Raw Mango Theatre), On the Banks of the Nut (Teatro la Quindicina), Matt and Ben (Theatre Transit), Harold and Vivian Entertain Guests (Impossible Mongoose), The Kaufman Kabaret (Studio Theatre), Under Cover (Concrete Theatre, Elizabeth Sterling Haynes Nomination), Working it Out (Alberta Workers’ Health Centre), Bone Wars (Punctuate Theatre), Apple (Sage Theatre), Flight Risk (Lunchbox Theatre), The Scarlet Letter (Theatre Calgary), The Wedding Party (Alberta Theatre Projects), Sherlock Holmes & the Raven’s Curse (Vertigo Theatre). Kristen is also an Artistic Co-Producer with Impossible Mongoose (Edmonton) where she’s produced two multiple Sterling award-winning Fringe hits, ‘The Fall of the House of Atreus’ and ‘Prophecy’, both by Jessy Ardern.