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  • Media | Chromatic Theatre

    Media An Important Message from our Artistic Director Jenna Rodgers Read More Winners and Losers Media Release Read More Artistic Director Jenna Rodgers Receives Lieutenant Governor of Alberta’s Emerging Artist Award Read More Medea Media Release Read More Cowboy Versus Samurai Media Release Read More Avenue Magazine – Interview with Mike Tan Read More

  • Intersection Us | Chromatic Theatre

    Intersection Us (Mural) Exhibition Info Exhibition by: Format: Mural Content: This is a drop in experience similar to that of an art gallery. Teacher candidates will be around to explain the portion of the mural they created. Teacher candidates will be available for questions/ comments throughout the exhibit. See also: Getting to the space See also: Parking Info for MRU

  • 404 Error Page | Chromatic Theatre

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  • Divided Perceptions | Chromatic Theatre

    Divided Perceptions (Interactive Art Exhibit) Exhibition Info Exhibition by: Format: Interactive Art Exhibit Content: Audiences will be given pins and invited to put the pins on sections of a map as prompted by the teacher candidates. This is a drop in experience similar to that of an art gallery with optional, mild, participation. Accessibility: Exhibit contains sharp push pins. Teacher candidates will be available for questions/ comments throughout the exhibit. See also: Getting to the space See also: Parking Info for MRU

  • Kristen Padayas | Chromatic Theatre

    Kristen Padayas Associate Producer Kristen is a graduate of Grant MacEwan College’s Theatre Arts Program and the University of Alberta’s Bachelor of Fine Arts Acting Program. Select acting credits include: Bare: A Pop Opera (Raw Mango Theatre), On the Banks of the Nut (Teatro la Quindicina), Matt and Ben (Theatre Transit), Harold and Vivian Entertain Guests (Impossible Mongoose), The Kaufman Kabaret (Studio Theatre), Under Cover (Concrete Theatre, Elizabeth Sterling Haynes Nomination), Working it Out (Alberta Workers’ Health Centre), Bone Wars (Punctuate Theatre), Apple (Sage Theatre), Flight Risk (Lunchbox Theatre), The Scarlet Letter (Theatre Calgary), The Wedding Party (Alberta Theatre Projects), Sherlock Holmes & the Raven’s Curse (Vertigo Theatre). Kristen is also an Artistic Co-Producer with Impossible Mongoose (Edmonton) where she’s produced two multiple Sterling award-winning Fringe hits, ‘The Fall of the House of Atreus’ and ‘Prophecy’, both by Jessy Ardern.

  • Donate | Chromatic Theatre

    Donate! We're excited to announce that we're officially a registered charity! Being a registered charity allows us to issue tax receipts for donations. Have greater access to other types of funding. This new designation allows us to continue to scale our operations. We hope you consider helping out by making a tax deductible donation. Donate Special thank you to Calgary Arts Development for supporting our charitable status application and a shoutout to our friends over at Alcove Arts Centre who also became a charity earlier this year, and whose language we used for this post. Check out their page and learn more about the work they are doing to build communities that feel connected and nurturing our local arts scene!

  • Maezy Reign | Chromatic Theatre

    Maezy Reign Markerting and Communications Maezy Reign (they/she) is a biracial multidisciplinary artist, born and raised in Calgary. They work as a playwright, lighting designer and occasional actor. They are determined to create art that has the representation she never saw growing up, like mentally ill, gender diverse, queer, and racialized main characters. Both my parents are theatre artists and entrepreneurs so I've been raised in a very artsy family. Maezy is a mixed-race black artist. Maezy's paternal grandmother grew up in St. Vincent in the Caribbean and immigrated to Canada in the 70's. Performance and Creative Credits include; Gaslight (Vertigo), The F Word (Downstage and ATP) Shark Bite (Lunchbox Theatre), Hay Coloured Houses (Paprika Festival), Sir Gawain and the Green Knight (Alchemy Festival), Hang In There (Chromatic PLU), This isn’t home (fear the festival), Psychotic Bitch (Ignite Festival), Revolution or Slumber (WCHS with HPR), Donut Diaries (Ignite Festival) Contact

  • Contact Us | Chromatic Theatre

    Contact Chromatic Theatre's staff. We would love to help you out if you have any questions or concerns. Contact Us info@chromatictheatre.ca First Name Last Name Email Message Send Thanks for submitting!

  • Jenna Rodgers | Chromatic Theatre

    Jenna Rodgers Founding Artistic Director Jenna is a mixed-race Director and Dramaturg based in Calgary, on Treaty 7 Territory. Jenna is the founding Artistic Director of Chromatic Theatre – a company dedicated to producing and developing work by and for artists of colour. Jenna is also the Dramaturg for the Playwrights Lab at the Banff Centre for Arts and Creativity. A passionate arts equity advocate, she is a graduate of the NTS Artistic Leadership Residency, the Banff Centre’s Cultural Leadership program, and the artEquity National Facilitator Training cohort. She holds an MA in International Performance Research from the universities of Amsterdam and Tampere. Recent Directing credits include Mary’s Wedding at the Citadel Theatre, Actually at Alberta Theatre Projects, and Sherlock Holmes and the Raven’s Curse at Vertigo Theatre; For Chromatic Theatre (我的名是张欣恩 (Gimme Chance Leh), Winners and Losers, Cowboy Versus Samurai); fu-GEN Theatre (Mixie and the Halfbreeds); Workshop West Theatre (Beyond the Darkness); Pape and Taper Theatre (Timmy, Tommy, and the Haunted Hotel);and Lunchbox Theatre (Let the Light of Day Through).She was selected as part of the 2020 Michael Langham Directors Conservatory at the Stratford Festival. Contact

  • PLU 24/25 | Chromatic Theatre

    Meet Chromatic Theatre's new 2025 Playwrights Unit Cohort! Melanee Murray-Hunt, Kathleen Faith Ballangan, and Jessica Szeto. Melanee Murray-Hunt SHE/HER Melanee, writer, actor filmmaker has written, directed and produced seven award-winning short films as well as wrote and starred in her award winning solo show, "The ‘Hoodwink" which received critical acclaim in Calgary and New York. She is currently completing her Masters Degree in Creative Writing at UBC (University of British Columbia). At UBC, Melanee was a recent recipient of the prestigious SSHRC, (Social Sciences & Humanities Research Council) Award and in Calgary, she won the 2023 Brenda Strathern Literary Award for her current literary project, "Moesha’s Mass." Melanee's film, "The Invincible Jayson Garvey," will be having its New York City Premiere at the Kwanzaa Film Festival and was an official selection for the Root Experience Film Festival in Seattle. As an actor she can be seen on camera in various independent, network and studio producers such as CBC, NBC, CBS, and Hallmark. She had a recent role in the upcoming, hilarious short film, "Now I am a Bear." Kathleen is a Filipino-Canadian artist, actor, and drama educator born and raised in Mohkintsis. She graduated with a BFA in Drama from the University of Calgary in 2022 and has since performed on stage with local theatre companies like Theatre Calgary and Lunchbox Theatre. Outside of performing, Kathleen spends her time teaching young people drama, nursing sore muscles from her pole dancing classes, and acting for the screen in her partner’s films. Ignited by the need for more racially diverse representation in the Calgary theatre scene, Kathleen hopes that her work as a performer, teacher, and creator will assure other young artists of colour that they belong in this community too. Kathleen Faith Ballangan SHE/HER Jessica Szeto is a multidisciplinary artist born, raised, and currently based in Calgary, Alberta. As a writer, software developer, and media artist, she is interested in storytelling across a variety of mediums. Her work often explores relationships between technology, history, and emotions. She holds a BSc Honours in Computer Science from the University of Calgary. Jessica Szeto SHE/HER

  • Kisapmata | Chromatic Theatre

    Kisapmata By Bianca Miranda January 30 - February 18, 2024 The Tagalog word “kisapmata” means “blink of an eye.” It’s also the title of a punk banger by Filipino band, Rivermaya. Inspired by this song, this new Canadian play tells the love story of two Filipino women—one living here in Canada and the other, born and raised in the Philippines. Through intimate vignettes, we see the longing, the diving in, and eventually, the letting go. Photos by Benjamin Laird We are proud to present the world premiere of this unique queer love story by Calgary playwright Bianca Miranda at Chromatic, with direction by Gina Puntil, co-produced by Lunchbox Theatre and presented as part of One Yellow Rabbit’s High Performance Rodeo. Kisapmata has been in development since 2021, when it was part of our IBPOC Playwrights Unit, and it was featured in both the Stage One Festival of New Canadian Work and Stage Two at Lunchbox Theatre in 2022. Playwright Bianca Miranda also recently premiered The F-Word, co-written and performed with Keshia Cheesman, in a Downstage Production at Alberta Theatre Projects, which was nominated for "Outstanding New Play" at the Betty Mitchell Awards. Directed by Gina Puntil Co-Production with Lunchbox Theatre and presented by One Yellow Rabbit as part of the 38th Annual High Performance Rodeo . Poster Artwork by Maezy Reign CAST AND CREW Michelle Diaz • A Isabella Pedersen • B Gina Puntil • Director Kodie Rollan • Assistant Director & Dramaturg Thomas Geddes • Video & Projection Design Cassie Holmes • Set & Costume Design Gladzy Kei • Grapic Designer Kp Smith • Lx Design Sallie Mae Salcedo • Sound Design Jennifer Yeung • Stage Manager Rebecca Orion • Apprentice Stage Manager Bianca Miranda • Playwright ADDITIONAL INFORMATION Program Local Vendors

  • Rebecca Comer | Chromatic Theatre

    Rebecca Comer Acting Associate Producer Rebecca Comer (she/her) is a theatre creator, performer, and educator. She holds a master’s degree in Theatre Studies from the University of Calgary’s School of Creative and Performing Arts. Her artistic practice includes playwriting, performance creation, and acting. Her focus is on creating work for Black audiences, often exploring vulnerability through autobiographical storytelling. Contact

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