Cancelled (Interactive Game) Exhibition Info Exhibition by: Format: Interactive Game Content: This is a drop-in exhibit. Audience members will be invited to play an interactive mystery game surrounding the topic of cancel culture. Teacher candidates will be facilitating the game and assisting the audience throughout the exhibit. See also: Getting to the space See also: Parking Info for MRU

Media An Important Message from our Artistic Director Jenna Rodgers Read More Winners and Losers Media Release Read More Artistic Director Jenna Rodgers Receives Lieutenant Governor of Alberta’s Emerging Artist Award Read More Medea Media Release Read More Cowboy Versus Samurai Media Release Read More Avenue Magazine – Interview with Mike Tan Read More

Kodie Rollan Artistic Director Kodie Rollan is a Philippine-born, Scarborough-raised, Mohkinstsis (Calgary)-based playwright, dramaturg, lyricist, arts leader and producer. He is a passionate community-builder and always aims to create spaces for shared storytelling and arts equity within the nonprofit sector. As a storyteller, Kodie is drawn towards explorations of justice within racialized bodies and how we can move towards more abolitionist futures. He is proud to have worked with a variety of theatre companies in both Alberta and Ontario in a variety of capacities. Some of these companies include Downstage Theatre, Alberta Theatre Projects, Lunchbox Theatre, Swallow-A-Bicycle, Alberta Workers Health Centre, fu-Gen Theatre, Carlos Bulosan Theatre, Prime Mover Theatre and The Musical Stage Company. He has also worked on a national scale as a dramaturg in his previous role as the Associate Dramaturg at the Banff Playwrights Lab. Select Playwright credits include: G_OAT Debate featured as part of Lunchbox Theatre’s 2024 Stage One Festival of New pLAYS, The Watchdog Society featured in staged readings with Chromatic Theatre and Carlos Bulosan Theatre, Destination Wedding! Co-created with Jennifer Villaverde and Maria Aragon presented by Sheridan College and The Musical Stage Company, and Alberta Kitchen Party co-created with Alixandra Cowman, Anna Dalgleish, Daniel Fong, Jeremy Carver James, Joe Slabe, and Emiko Muraki, with contributions from Darcy Evans, Tiffany Thomas, and Tenaj Williams presented at Alberta Theatre Projects. Alberta Kitchen Party received two Betty Mitchell Award wins for Outstanding Performance by an Ensemble, Outstanding Music Direction, and Outstanding Production of a Musical. Kodie is also one of the recipient of Theatre Alberta’s 2023 Michelle Dias Community Service Award. Select Dramaturgy credits include: Static: A Party Girl’s Memoir by Ashley King, Kisapmata by Bianca Miranda, which won the Oustanding New Play Award at the 2024 Betty Mitchell Awards. He received his Bachelor of Arts (Honours) and his Masters in Arts Leadership from Queen’s University. He is currently the Artistic Director of Chromatic Theatre. As an arts educator, he is currently a facilitator of the Rozsa Foundation’s arts management and education programs, and has been a sessional instructor with the University of Calgary. Contact

The 35/50 Happened... September 10, 2026 Good Numbers... December 6, 2022 Year 4 Update June 9, 2022 Chromatic talks statistics February 18, 2022 Check back soon!

Jordan Baylon General Director Jordan (they/she/he) is a second generation PilipinX artist, critic and community worker imagining justice and abundance for equity-deserving peoples within the spaces of all our relations, personal, communal and societal. With a decade of experience serving in the non-profit arts sector in Mohkinstsis (Calgary), Jordan advocates a collective, grassroots approach to dismantling and rebuilding organizational structures, processes and ideologies with values of anti-racism and social justice. Jordan is a proud associate of CommunityWise’s Anti-Racist Organizational Change program, and co-authoried RE-Tool, a handbook on equity-driven grantmaking as part of Equity in the Panel Room working group. As an artist, Jordan’s work gnaws at the intersection of queer identity, race, colonialism, food, ritual and the deep dark places that represent our possibilities for pleasure and liberation. Contact

Archive Hucksterland: The Musical 2026 Co-Produced with Thumbs Up Good Work Theatre Direction by Caleigh Crow Written by Caleigh Crow Music By Sacha Crow and Gus Rendell When the city is built on lies, someone has to bring the house down. Corporate landlord Jordan Jamieson sits at the top of his empire. He is rich, ruthless and riding high alongside his whip smart executive assistant and the mayor in his back pocket. It's not long before a fearless prosecutor starts asking questions and we see cracks beginning to form and Jordan's power starting to crumble. From award-winning playwright Caleigh Crow, and composers Sacha Crow and Gus Rendell, Hucksterland is a new musical pulsing with humour, heart and rebellion. It’s loud. It’s fearless. And when the music stops, not everyone makes it out alive. Hucksterland was originally developed in our IBPOC Playwrights Unit. Recipient of 2 Betty Mitchell Awards: Outstanding New Play, and Outstanding Projection Design Static: A Party Girl's Memoir 2024 Co-Produced with Inside Out Theatre Direction by Javier Vilalta Written by Ashley King “Static: A Party Girl’s Memoir” is a coming-of-age story inspired by true events, written and performed by Mexican-Canadian artist Ashley King. It follows Ashley, a young woman whose life revolves around booze, boys, and late-night parties, while navigating a turbulent relationship with her mother, Carolina. But when she wakes up blind while on holiday, she’ll have to face her darkest depths of grieving a new life she didn’t choose or want. Not your typical inspirational story, Static offers a poignant and humorous take on the struggles and triumphs of a young woman learning to navigate the world without sight. With moments of laughter and tears, this dark comedy explores whether everything happens for a reason and if joy can really be found in unexpected places. Static was originally developed in our IBPOC Playwrights Unit. Recipient of Best Supporting Actor in A Comedy Betty Mitchell Award. Kisapmata 2024 Co-Produced with Lunchbox Theatre Direction by Gina Puntil Written by Bianca Miranda The Tagalog word “kisapmata” means “blink of an eye.” It’s also the title of a punk banger by Filipino band, Rivermaya. Inspired by this song, this new Canadian play tells the love story of two Filipino women—one living here in Canada and the other, born and raised in the Philippines. Through intimate vignettes, we see the longing, the diving in, and eventually, the letting go. Kisapmata has been in development since 2021, when it was part of our IBPOC Playwrights Unit, and it was featured in both the Stage One Festival of New Canadian Work and Stage Two at Lunchbox Theatre in 2022. Recipient of the Outstanding New Play Betty Mitchell Award. Stages of Transformation: feel ur feels (CRINGE LIBERATION) 2023 Presented at Rumble Festival Created by Kris Vanessa Teo Xin-En As we attempt survival in a white supremist and capitalistic society, it is so easy for us to cut ourselves off from how we are feeling, to deny ourselves pleasure, to move at high speeds, to ignore our needs, to bypass processing our lived experiences, to numb sensations that come up, to live through our days on autopilot, to hide who we are and to fast-forward anything that feels uncomfortable. Creating feel ur feels (CRINGE LIBERATION) is a way for me to practice the small actions and connections of listening to the deep feeling and nonrational eroticism within me, and to practice with my friendos, pals and buddy buds, through conversation, stopping to notice what’s around me, in me, and to follow the curiosities that come up along the way. Hookman 2023 Co-Produced with University of Calgary SCPA Direction by Jenna Rodgers Written by Lauren Yee First year university life gets even harder for Lexi when she’s feeling homesick, her roommate is super weird, and a hook-handed serial killer is slashing girls’ throats. When Lexi discovers what really happened to her high school best friend, she learns what it means to grow up – and it isn’t pretty. 我的名是张欣恩 (Gimme Chance Leh) Redux: A Team Together 2021 Direction by Thomas Geddes Written by Kris Vanessa Teo Xin-En Chromatic Theatre is proud to present the AUDIO PLAY version of 我的名是张欣恩 (Gimme chance leh) written and performed by Kris Vanessa Teo. Thanks to support from the CBC Digital Originals program, this project is now streaming live and 100% FREE from the CBC website. Grab a snack, strap on a pair of your favourite headphones, click here and give it a listen! The Green Line 2022 Co-Produced with Downstage Theatre Direction by Jenna Rodgers Written by Makram Ayache During the Lebanese Civil War, Naseeb wants his sister to withdraw from her university studies and move to the mountains. But Mona is secretly falling in love with her classmate Yara. Forty years later, Rami, a Lebanese Canadian student, comes to Lebanon to bury his father, Naseeb. That night, he meets Zidan, a drag queen at a queer Beirut nightclub and things take an unexpected turn. Past and present braid together in The Green Line’s contemplation of how memories are inherited or erased. Recipient of 2 Betty Mitchell Awards: Outstanding New Play, and Outstanding Supporting Performance in a Drama. Cowboy Versus Samurai Direction by Jenna Rodgers Written by Michael Golamco Cowboy Versus Samurai is a modern-day comedic take on the Edmond Rostad classic, Cyrano de Bergerac. Our protagonist Travis Park is the only Korean American in the dusty cowboy town of Breakneck, Wyoming. When the beautiful and clever Veronica Lee moves to town to fill the post of science teacher, he’s immediately smitten – until she reveals that she only dates white men. Travis must choose whether to ally with the “cowboy”: the handsome gym teacher, Del; or the “samurai”: best friend, and militant Asian of unknown origin, Chester. He must choose between the Asian and the American within himself in the pursuit for love that may only be as real as the love letters he writes on behalf of someone else. Winners and Losers 2018 Presented at Summerworks Festival Written by James Long and Marcus Youssef Adapted by Valerie Planche, Makambe K. Simamba and Jenna Rodgers Winners and Losers is one part game, one part conversation that leans into our universally flawed human logic, and the desire to win at all costs. Valerie Planche and Makambe K. Simamba, two powerhouse performers at different stages of life and careers, debate whether people, places or things – Robin Williams, camping, Meghan Markle, private schools – are winners or losers. This exploration of female friendships leads us down a spiralling path of staunch sisterhood and deep-seated difference. As the discussion gets personal, how far is too far when confronting deep-seated beliefs? Based on the Governor General Award-nominated text by Marcus Youssef and James Long, this homegrown adaptation – re-written and re-cast with an all-female team – premiered to rave reviews at Toronto’s SummerWorks Performance Festival! Medea Direction by Alyssa Bradac Written by Euripides, Translated by Robin Robertson Chromatic Theatre is producing a highly contemporary and anti-colonial production of Euripides’ classic tragedy, Medea. After Jason captures the Golden Fleece, in large part because of Medea, her magic, and her betrayal against her family, Jason takes Medea as a wife. A few years pass, their sons grow and prosper, when Jason decides to take another bride from his Grecian homeland for political reasons, offering to keep Medea as a mistress, illegitimating their children in the process. To keep her agency, self-respect, and cultural identity, she pays the ultimate price and kills her children.

Intersection Us (Mural) Exhibition Info Exhibition by: Format: Mural Content: This is a drop in experience similar to that of an art gallery. Teacher candidates will be around to explain the portion of the mural they created. Teacher candidates will be available for questions/ comments throughout the exhibit. See also: Getting to the space See also: Parking Info for MRU

Apply to the 23/24 Playwrights Unit now! Chromatic Theatre is looking for applications from writers/creators who identify as being Indigenous, Black, or a Person of Colour from all levels of experience for our eight annual Playwrights Unit. At Chromatic Theatre we are dedicated to developing and supporting work by and for the wide breadth of cultural diversity that exists in our province. We are excited for the seventh iteration of our Playwrights Unit that will bring together IBPOC playwrights/creators from Mohkins’tsis (Calgary) and surrounding areas, with the aim of strengthening our community, and investing in new Canadian plays. If you have any questions about the application or have barriers to applying through this google form, please contact Artistic Director, Kodie Rollan at kodie@chromatictheatre.ca Deadline: August 31, 2026 Please send applications through this Google Form If you have any questions, feel free to contact our Artistic Director, Kodie Rollan, at kodie@chromatictheatre.ca PDF Posting As a part of the Chromatic Theatre Playwrights Unit, you will: Attend one digital group meet and greet in September 2026 Attend a total of eight group workshops between November 2026 - May 2027 Receive up to seven one-on-one dramaturgical sessions with Artistic Director, Kodie Rollan Receive a workshop of your script with an ensemble of actors between May 31st - June 12th, 2027 Receive a public, in-person reading of your script, performed by an ensemble of professional actors, culminating at the end of the May 31st - June 12th, 2027 workshop weeks. (Playwrights will be required to be available during these two weeks). Build community with other racialized writers Receive an honorarium of $1,000 CAD (+GST if applicable). Applications Accepted via Google Forms Within it, applicants must answer questions pertaining to: A description of the writing project you will be working on as part of the playwrights unit Why you would like to be part of the Playwrights Unit, what you hope to get out of the residency, and why you think you’d be a good fit to work with Chromatic Theatre. (Applicants are encouraged to read our organization’s mandate so they can be aware of the work that Chromatic Theatre does). Applicants will also be asked to upload one (1) PDF document including Your CV (maximum 2 pages) A writing sample that is a maximum of 15 pages. We also welcome writing samples from other mediums (essays, short stories, poetry, etc.). Accessibility If written applications present a barrier for you, please contact us and and we can determine an alternate application option (including but not limited to in-person/ digital meeting, voice recordings, video submissions, etc.) Note Please note that applicants do not need to apply with a complete draft of a play. You can apply even if you have an idea of a play/ live theatre creation in mind! Please note that at this time we are only considering local artists as we are unable to financially support any travel or accommodations throughout the residency, including the in-person workshops. If you have any questions, feel free to contact our Artistic Director, Kodie Rollan, at kodie@chromatictheatre.ca

Chromatic Theatre is a theatre company that develops, supports, and creates space for racialized theatre artists in Moh'kins'tsis (Calgary). Click Here for Details News & Updates What’s Going On Meet this year's Playwrights Unit Cohort! Click here to participate! Get tickets to our current production! Link for tickets Read More Meet our Artistic Director! Click here to set up a meeting with Kodie! Read More Contact Us! First Name Last Name Email Comments SUBMIT Thanks for submitting! "To develop and support diverse voices that contribute to an artistic landscape reflecting the spectrum of diversity we see across our country"

Chromatic Theatre is a theatre company that develops, supports, and creates space for racialized theatre artists in Moh'kins'tsis (Calgary). Learn More Tickets Get Involved Charitable Status Update Learn More Call For Board Members Learn More Past Shows Learn More Hucksterland Learn More Learn More Kisapmata Learn More Learn More Sign Up STATIC: A Party Girl's Memoir Learn More Contact Us Directly! Artistic Director Associate Producer Marketing General Email Name* Email* Subject* Write a message* Send

Static By Ashley King September 4-14, 2024 “Static: A Party Girl’s Memoir” is a coming-of-age story inspired by true events, written and performed by Mexican-Canadian artist Ashley King. It follows Ashley, a young woman whose life revolves around booze, boys, and late-night parties, while navigating a turbulent relationship with her mother, Carolina. But when she wakes up blind while on holiday, she’ll have to face her darkest depths of grieving a new life she didn’t choose or want. Not your typical inspirational story, Static offers a poignant and humorous take on the struggles and triumphs of a young woman learning to navigate the world without sight. With moments of laughter and tears, this dark comedy explores whether everything happens for a reason and if joy can really be found in unexpected places. Photos by Motif Photography CAST AND CREW Featuring: Ashley King Jaime Cesar Director • Javier Vilalta Stage Manager • Jennifer Yeung Assistant Stage Manager • Sabrena Shah Baigzada Scenic Designer • Natalia Cortes Sound Designer • Miranda Martini Lighting Designer • Anton deGroot Video/Projection Designer • Skylar Desjardins Dramaturg • Kodie Rollan Design Consultant • Lindsey Zess Cultural Consultant • Daniela Atiencia Disability Dramaturg • Jessica Watkins Engagement Coordinator • Iván Guevara García Production Manager • Col Cseke Producers • Camielle Craig & Kristen Padayas Poster Design | Marketing • Ebony R. Gooden & Maezy Reign Ashley King • Playwright ADDITIONAL INFORMATION Program Plain Text Program

Board Members Call For Chromatic Theatre is currently looking for dedicated, community-minded individuals with a passion for theatre and the arts to join our board of directors. The Chromatic Theatre board of Directors is an advisory board providing governance support to the company. If you are interested in being part of Chromatic Theatre’s board of directors, please email your CV and a one-page cover letter outlining why you are interested and what you would like to learn and contribute as a member of the board to kodie@chromatictheatre.ca ABOUT THE COMPANY Chromatic Theatre is a Moh’kins’tsis (Calgary) based theatre company that invests in, develops, and supports the work of racialized (IBPOC) artists for racialized communities. Our mandate is to develop and support diverse voices that contribute to an artistic landscape reflecting the spectrum of diversity we see across our country. We do this by creating opportunities for diverse artists and marginalized community groups through the arts and building bridges that span the societal issues and mechanisms that divide us based on cultural identity. We are looking to engage with individuals who: Share the values of labour-centric anti-oppression Have a passion for the creation of care-based environments, especially in the arts/ non-profit sector Have a passion for theatre or an interest in the arts sector in Moh’kins’tsis (Calgary) as a whole Is interested in deepening its practice in decolonization, equity, diversity, inclusion and accessibility from a policy and culture-setting standpoint Share a passion for racialized storytelling Can be a strong advocate and champion for the organization’s work and overall culture Prior experience on a board of directors, particularly with organizations or startups that have scaled up their capacities, is an asset but not a requirement. Strong interpersonal skills are a requirement for this position. Roles & Responsibilities Board members are expected to: Be in attendance at 4 - 6 board meetings throughout the year Provide care-centred leadership, governance, and oversight on the theatre company’s activities Be an advocate for the greater community to hold the organization’s leadership accountable to its community-based values and practices. Be an ambassador for the theatre by representing Chromatic Theatre within the community and championing their work Download PDF Download Plain Text Please note that incoming board members will receive onboarding support upon joining the board. The position will remain open until July 1st, 2025 or until suitable candidates are found. This is a volunteer position. If you are interested in being part of Chromatic Theatre’s board of directors, please email your CV and a one-page cover letter outlining why you are interested and what you would like to learn and contribute as a member of the board to Kodie Rollan Kodie@chromatictheatre.ca