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Medea Chromatic Theatre is producing a highly contemporary and anti-colonial production of Euripides’ classic tragedy, Medea. After Jason captures the Golden Fleece, in large part because of Medea, her magic, and her betrayal against her family, Jason takes Medea as a wife. A few years pass, their sons grow and prosper, when Jason decides to take another bride from his Grecian homeland for political reasons, offering to keep Medea as a mistress, illegitimating their children in the process. To keep her agency, self-respect, and cultural identity, she pays the ultimate price and kills her children. Cast Direction by Alyssa Bradac Stage Management by Courtney Charnock Set and Lighting Design by Kathryn Smith Costume Design by Benjamin Toner Sound Design by Miquelon Rodriguez CAST Chantelle Han* Medea Justin Michael Carriere* Jason Ali DeRegt Aegeus/Chorus Carly McKee Creon/Chorus Jenna Rodgers Tutor/Chorus Makambe K. Simamba Nurse/ Chorus *Member of the Canadian Actors Equity Association Back to Past Projects Listen Now! Digital Program

UNLEARNING, RELEARNING, TRANSFORMING EDUCATION An Interactive Art Exhibition I149F, near Tim Hortons on Main Street 4:00pm - 6:00pm Exhibition Schedule Getting to the Space & Parking Save the event to your calendar! Questions? Contact Us! ABOUT THE EXHIBIT: We, 36 MRU Teacher Candidates, dramaturg Kodie Rollan, assistant professor Kristen Schaffer and research assistant Daniela Quintero warmly invite you to experience Unlearning, Relearning, and Transforming—an interactive art exhibition showcasing what students have learned from EDUC2200D: Enacting Anti-Oppressive Education. What does “unlearning” mean to you? Quotes “Unlearning is hard and not always immediate.” What does “relearning” mean to you? Quotes “Questioning our biases.” What does “transforming education” mean to you? Quotes “Removing biases.” “Learning from the mistakes from the past to benefit the students of the future.” This project has been generously supported by the office of EDI opportunity fund. This is a drop-in style of event and light refreshments will be provided. THE SEVEN EXHIBITIONS Men in Education Talks A podcast where teacher candidates on navigating the profession and analyzing their privileges and challenges to reduce bias.” More Info Intersection Us “A painting representing the intersectionality between our identities - and the intersectionality between our school community and teaching philosophy.” More Info Stomp, Roar, and Be Brave “A children’s storybook about a young dinosaur with a stutter, discovering the diversity in their support system and overcoming a fear of public speaking alongside peers.” More Info Divided Perceptions: Stigma Across the City “Addressing common stereotypes/stigmas between the 4 quadrants of Calgary. Making viewers aware of their own biases and finding ways to challenge them.” More Info Interactive Classroom: Pieces of a Puzzle “An art piece to show what our future classrooms will look like.” Cancelled “An investigation game where players decide if someone deserves cancellation or redemption based on evidence.” More Info Privilege Collage “What does privilege mean to you?” Special Thanks Thank you to Chromatic Theatre for their web support and use of website! Thank you to the Office of Equity, Diversity, and Inclusion, Faculty of Health, Community and Education, the Mokakiiks Centre for SoTL, and the Department of Education at Mount Royal University.

The Green Line April 3, 2030 During the Lebanese Civil War, Naseeb wants his sister to withdraw from her university studies and move to the mountains. But Mona is secretly falling in love with her classmate Yara. Forty years later, Rami, a Lebanese Canadian student, comes to Lebanon to bury his father, Naseeb. That night, he meets Zidan, a drag queen at a queer Beirut nightclub and things take an unexpected turn. Past and present braid together in The Green Line’s contemplation of how memories are inherited or erased. This is a co-production between Downstage Theatre & Chromatic Theatre. Cast and Creative Team Makram Ayache: Playwright / Rami / Naseeb Filsan Dualeh: Yara Ryan Abd’u’llah Hooper: Zidan / Fifi Sepidar Yeganeh Farid: Mona Jenna Rodgers: Director Chris Austman: Sound Design & Original Music Ajay Badoni: Lighting Design Abbie Brokenshire: Costume Design Assistant Alia Shahab: Set Design Jordan Wieben: Costume Design Aldona Barutowicz: Publicist Jesse Del Fierro: Assistant Director Adam Kostiuk: Production Manager / Technical Director Evan Medd: Dramaturg Donna Sharpe: Stage Manager Back to Past Projects

Media An Important Message from our Artistic Director Jenna Rodgers Read More Winners and Losers Media Release Read More Artistic Director Jenna Rodgers Receives Lieutenant Governor of Alberta’s Emerging Artist Award Read More Medea Media Release Read More Cowboy Versus Samurai Media Release Read More Avenue Magazine – Interview with Mike Tan Read More

Rebecca Comer Acting Associate Producer Rebecca Comer (she/her) is a theatre creator, performer, and educator. She holds a master’s degree in Theatre Studies from the University of Calgary’s School of Creative and Performing Arts. Her artistic practice includes playwriting, performance creation, and acting. Her focus is on creating work for Black audiences, often exploring vulnerability through autobiographical storytelling. Contact

2020 Client: Landscape Magazine Year: 2023 This is placeholder text. To change this content, double-click on the element and click Change Content. To manage all your collections, click on the Content Manager button in the Add panel on the left. Previous Next

Static By Ashley King September 4-14, 2024 “Static: A Party Girl’s Memoir” is a coming-of-age story inspired by true events, written and performed by Mexican-Canadian artist Ashley King. It follows Ashley, a young woman whose life revolves around booze, boys, and late-night parties, while navigating a turbulent relationship with her mother, Carolina. But when she wakes up blind while on holiday, she’ll have to face her darkest depths of grieving a new life she didn’t choose or want. Not your typical inspirational story, Static offers a poignant and humorous take on the struggles and triumphs of a young woman learning to navigate the world without sight. With moments of laughter and tears, this dark comedy explores whether everything happens for a reason and if joy can really be found in unexpected places. Photos by Motif Photography CAST AND CREW Featuring: Ashley King Jaime Cesar Director • Javier Vilalta Stage Manager • Jennifer Yeung Assistant Stage Manager • Sabrena Shah Baigzada Scenic Designer • Natalia Cortes Sound Designer • Miranda Martini Lighting Designer • Anton deGroot Video/Projection Designer • Skylar Desjardins Dramaturg • Kodie Rollan Design Consultant • Lindsey Zess Cultural Consultant • Daniela Atiencia Disability Dramaturg • Jessica Watkins Engagement Coordinator • Iván Guevara García Production Manager • Col Cseke Producers • Camielle Craig & Kristen Padayas Poster Design | Marketing • Ebony R. Gooden & Maezy Reign Ashley King • Playwright ADDITIONAL INFORMATION Program Plain Text Program

Jenna Rodgers Founding Artistic Director Jenna is a mixed-race Director and Dramaturg based in Calgary, on Treaty 7 Territory. Jenna is the founding Artistic Director of Chromatic Theatre – a company dedicated to producing and developing work by and for artists of colour. Jenna is also the Dramaturg for the Playwrights Lab at the Banff Centre for Arts and Creativity. A passionate arts equity advocate, she is a graduate of the NTS Artistic Leadership Residency, the Banff Centre’s Cultural Leadership program, and the artEquity National Facilitator Training cohort. She holds an MA in International Performance Research from the universities of Amsterdam and Tampere. Recent Directing credits include Mary’s Wedding at the Citadel Theatre, Actually at Alberta Theatre Projects, and Sherlock Holmes and the Raven’s Curse at Vertigo Theatre; For Chromatic Theatre (我的名是张欣恩 (Gimme Chance Leh), Winners and Losers, Cowboy Versus Samurai); fu-GEN Theatre (Mixie and the Halfbreeds); Workshop West Theatre (Beyond the Darkness); Pape and Taper Theatre (Timmy, Tommy, and the Haunted Hotel);and Lunchbox Theatre (Let the Light of Day Through).She was selected as part of the 2020 Michael Langham Directors Conservatory at the Stratford Festival. Contact

Kisapmata By Bianca Miranda January 30 - February 18, 2024 The Tagalog word “kisapmata” means “blink of an eye.” It’s also the title of a punk banger by Filipino band, Rivermaya. Inspired by this song, this new Canadian play tells the love story of two Filipino women—one living here in Canada and the other, born and raised in the Philippines. Through intimate vignettes, we see the longing, the diving in, and eventually, the letting go. Photos by Benjamin Laird We are proud to present the world premiere of this unique queer love story by Calgary playwright Bianca Miranda at Chromatic, with direction by Gina Puntil, co-produced by Lunchbox Theatre and presented as part of One Yellow Rabbit’s High Performance Rodeo. Kisapmata has been in development since 2021, when it was part of our IBPOC Playwrights Unit, and it was featured in both the Stage One Festival of New Canadian Work and Stage Two at Lunchbox Theatre in 2022. Playwright Bianca Miranda also recently premiered The F-Word, co-written and performed with Keshia Cheesman, in a Downstage Production at Alberta Theatre Projects, which was nominated for "Outstanding New Play" at the Betty Mitchell Awards. Directed by Gina Puntil Co-Production with Lunchbox Theatre and presented by One Yellow Rabbit as part of the 38th Annual High Performance Rodeo . Poster Artwork by Maezy Reign CAST AND CREW Michelle Diaz • A Isabella Pedersen • B Gina Puntil • Director Kodie Rollan • Assistant Director & Dramaturg Thomas Geddes • Video & Projection Design Cassie Holmes • Set & Costume Design Gladzy Kei • Grapic Designer Kp Smith • Lx Design Sallie Mae Salcedo • Sound Design Jennifer Yeung • Stage Manager Rebecca Orion • Apprentice Stage Manager Bianca Miranda • Playwright ADDITIONAL INFORMATION Program Local Vendors

Meet Chromatic Theatre's new 2025 Playwrights Unit Cohort! Melanee Murray-Hunt, Kathleen Faith Ballangan, and Jessica Szeto. Melanee Murray-Hunt SHE/HER Melanee, writer, actor filmmaker has written, directed and produced seven award-winning short films as well as wrote and starred in her award winning solo show, "The ‘Hoodwink" which received critical acclaim in Calgary and New York. She is currently completing her Masters Degree in Creative Writing at UBC (University of British Columbia). At UBC, Melanee was a recent recipient of the prestigious SSHRC, (Social Sciences & Humanities Research Council) Award and in Calgary, she won the 2023 Brenda Strathern Literary Award for her current literary project, "Moesha’s Mass." Melanee's film, "The Invincible Jayson Garvey," will be having its New York City Premiere at the Kwanzaa Film Festival and was an official selection for the Root Experience Film Festival in Seattle. As an actor she can be seen on camera in various independent, network and studio producers such as CBC, NBC, CBS, and Hallmark. She had a recent role in the upcoming, hilarious short film, "Now I am a Bear." Kathleen is a Filipino-Canadian artist, actor, and drama educator born and raised in Mohkintsis. She graduated with a BFA in Drama from the University of Calgary in 2022 and has since performed on stage with local theatre companies like Theatre Calgary and Lunchbox Theatre. Outside of performing, Kathleen spends her time teaching young people drama, nursing sore muscles from her pole dancing classes, and acting for the screen in her partner’s films. Ignited by the need for more racially diverse representation in the Calgary theatre scene, Kathleen hopes that her work as a performer, teacher, and creator will assure other young artists of colour that they belong in this community too. Kathleen Faith Ballangan SHE/HER Jessica Szeto is a multidisciplinary artist born, raised, and currently based in Calgary, Alberta. As a writer, software developer, and media artist, she is interested in storytelling across a variety of mediums. Her work often explores relationships between technology, history, and emotions. She holds a BSc Honours in Computer Science from the University of Calgary. Jessica Szeto SHE/HER

Maezy Reign Markerting and Communications Maezy Reign (they/she) is a biracial multidisciplinary artist, born and raised in Calgary. They work as a playwright, lighting designer and occasional actor. They are determined to create art that has the representation she never saw growing up, like mentally ill, gender diverse, queer, and racialized main characters. Both my parents are theatre artists and entrepreneurs so I've been raised in a very artsy family. Maezy is a mixed-race black artist. Maezy's paternal grandmother grew up in St. Vincent in the Caribbean and immigrated to Canada in the 70's. Performance and Creative Credits include; Gaslight (Vertigo), The F Word (Downstage and ATP) Shark Bite (Lunchbox Theatre), Hay Coloured Houses (Paprika Festival), Sir Gawain and the Green Knight (Alchemy Festival), Hang In There (Chromatic PLU), This isn’t home (fear the festival), Psychotic Bitch (Ignite Festival), Revolution or Slumber (WCHS with HPR), Donut Diaries (Ignite Festival) Contact

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