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Media An Important Message from our Artistic Director Jenna Rodgers Read More Winners and Losers Media Release Read More Artistic Director Jenna Rodgers Receives Lieutenant Governor of Alberta’s Emerging Artist Award Read More Medea Media Release Read More Cowboy Versus Samurai Media Release Read More Avenue Magazine – Interview with Mike Tan Read More

2024/25 Jessica Szeto "Last Light" Kathleen Faith Ballangan "EMP (Electromagnetic Pulse)" Melanee Murray-Hunt “The City on the Hill” 2023/24 Ali Aluma "Roma" Mara Teare "We Are Food" Nakota Starr Tobias "Tale of Two Spirits" Sofia Huarte "Death and The Poet" 2022/23 Ashley King "Static" Miranda Martini "Yeoman" Kristen Padayas "Laalcha" Ado Nkemka "I'm Not Afraid To Die Anymore" 2021/22 Rebbekah Ogden "My White Daddy" Thomas Geddes " A Plain Ol' Escape Room" Rick Gaudio "When It Rains" Sepidar Yeganeh Farid "Limbo" 2021 Bianca Miranda "Kisapmata" Toyin Lamas "Father's Heart" Maezy Reign "Hang In There" Barry Bilinsky "Red Leather, Yellow Leather" Bill Yong "Red Leather, Yellow Leather" 2019/20 Rebecca Comer "Dear Dad" Kodie Rollan "The Watchdog Society" Caleigh Crow "Hucksterland"

Chromatic Theatre & Handsome Alice Theatre is currently looking for a Music Director/ Pianist for an upcoming workshop and production of Little Elves, a new musical co-created by Kodie Rollan and Alixandra Cowman. We're Hiring Music Director & Pianist Chromatic Theatre & Handsome Alice Theatre is currently looking for a Music Director/ Pianist for an upcoming workshop and production of Little Elves, a new musical co-created by Kodie Rollan and Alixandra Cowman. APPLICATION DEADLINE: FRIDAY, APRIL 10TH ABOUT THE SHOW Little Elves is a new horror-holiday musical loosely based on the folktale of St. Nicholas & the Evil Butcher. The story centers three young elves who after killing their captor, create an elaborate lie in order to survive. A reimagining of a folktale gone wrong, Little Elves brings the audience into a world of lies, deceit, and desperation. It explores a variety of intersectional themes among which are interrogations of “justified” vengeance, IBPOC relationships to religion, abolitionist interventions within cycles of violence, and the longstanding history of Anti-Asian policies and sentiments in Turtle Island (Canada). Overall, the piece asks the question, “when the odds are stacked against you, what will you do to survive”? The music of the piece is deeply rooted in a variety of folk, country, and pop sounds. Download Full Job Call Apply Now Key Engagement Info: The MD/ Pianist is expected to be part of an upcoming workshop which will take place from May 18 - 22, 2026 with working hours from 10am - 6pm. They are also expected to be part of the production which has a rehearsal timeline of September 28 - October 29, 2026, and shows from October 28 - November 7, 2026. This is a paid position. The fee for the May workshop is $1,000 (+ GST if applicable), and a weekly fee during the production of $1,050/wk for a 6 week engagement period (+ GST if applicable) Both the workshop and production will take place in Calgary, AB - we are specifically looking for local artists, or artists who can work locally, as we have limited budget for travel and accommodations. KEY RESPONSIBILITIES: Within the workshop, the MD/ pianist will work closely with the composer to explore and devise interstitial music for the production, For both the workshop & production, the MD/pianist will lead and conduct music rehearsals, guiding the actors and band with learning the music of the show, as well as be part of the on-stage band as the pianist during performances. The MD and onstage musicians will also be engaged as ensemble singers. The MD/ pianist is also expected to collaborate closely with the directing team & production team to ensure music aligns with the artistic vision of the show. QUALIFICATIONS/ REQUIREMENTS: Previous experience in music direction for the theatre Shown ability to lead rehearsals, provide constructive feedback, create a clear and balanced sound, motivate performers, and provide a healthy and positive working relationship with all artists in the team, Strong knowledge of music theory and background with both musical theatre and folk genres and playing styles Strong piano playing skills, including the ability to improvise Chromatic Theatre is committed to providing an inclusive and accessible recruitment process. If you have any questions, please feel free to contact our Artistic Director, Kodie Rollan at kodie@chromatictheatre.ca All applicants will be responded to as to the status of their application. Please note that we may invite applicants to have an interview with the team to determine fit. Applications due April 10, 2026 at 11:59pm. For any questions or inquiries, please feel free to contact Artistic Director, Kodie Rollan at kodie@chromatictheatre.ca

Maezy Reign Markerting and Communications Maezy Reign (they/she) is a biracial multidisciplinary artist, born and raised in Calgary. They work as a playwright, lighting designer and occasional actor. They are determined to create art that has the representation she never saw growing up, like mentally ill, gender diverse, queer, and racialized main characters. Both my parents are theatre artists and entrepreneurs so I've been raised in a very artsy family. Maezy is a mixed-race black artist. Maezy's paternal grandmother grew up in St. Vincent in the Caribbean and immigrated to Canada in the 70's. Performance and Creative Credits include; Gaslight (Vertigo), The F Word (Downstage and ATP) Shark Bite (Lunchbox Theatre), Hay Coloured Houses (Paprika Festival), Sir Gawain and the Green Knight (Alchemy Festival), Hang In There (Chromatic PLU), This isn’t home (fear the festival), Psychotic Bitch (Ignite Festival), Revolution or Slumber (WCHS with HPR), Donut Diaries (Ignite Festival) Contact

Jenna Rodgers Founding Artistic Director Jenna is a mixed-race Director and Dramaturg based in Calgary, on Treaty 7 Territory. Jenna is the founding Artistic Director of Chromatic Theatre – a company dedicated to producing and developing work by and for artists of colour. Jenna is also the Dramaturg for the Playwrights Lab at the Banff Centre for Arts and Creativity. A passionate arts equity advocate, she is a graduate of the NTS Artistic Leadership Residency, the Banff Centre’s Cultural Leadership program, and the artEquity National Facilitator Training cohort. She holds an MA in International Performance Research from the universities of Amsterdam and Tampere. Recent Directing credits include Mary’s Wedding at the Citadel Theatre, Actually at Alberta Theatre Projects, and Sherlock Holmes and the Raven’s Curse at Vertigo Theatre; For Chromatic Theatre (我的名是张欣恩 (Gimme Chance Leh), Winners and Losers, Cowboy Versus Samurai); fu-GEN Theatre (Mixie and the Halfbreeds); Workshop West Theatre (Beyond the Darkness); Pape and Taper Theatre (Timmy, Tommy, and the Haunted Hotel);and Lunchbox Theatre (Let the Light of Day Through).She was selected as part of the 2020 Michael Langham Directors Conservatory at the Stratford Festival. Contact

2022 Client: Espinas Year: 2023 This is placeholder text. To change this content, double-click on the element and click Change Content. To manage all your collections, click on the Content Manager button in the Add panel on the left. Previous Next

Co-Production with Thumbs Up Good Work and presented by One Yellow Rabbit as part of the 40th Annual High Performance Rodeo. ABOUT THE SHOW: When the city is built on lies, someone has to bring the house down. Corporate landlord Jordan Jamieson sits at the top of his empire. He is rich, ruthless and riding high alongside his whip smart executive assistant and the mayor in his back pocket. It's not long before a fearless prosecutor starts asking questions and we see cracks beginning to form and Jordan's power starting to crumble. From award-winning playwright Caleigh Crow, and composers Sacha Crow and Gus Rendell, Hucksterland is a new musical pulsing with humour, heart and rebellion. It’s loud. It’s fearless. And when the music stops, not everyone makes it out alive. Content warnings: Course language, examples of homophobia, misogyny, ableism, portrayal of sexual acts, heavy drinking, and heavy drug use. Accessibility considerations: bright & flashing lights & loud punk music CAST AND CREW CREATIVE TEAM CALEIGH CROW • Book Writer and Director SACHA CROW • Music & Lyrics, Music Director, and Sound Design GUS RENDELL • Music & Lyrics and Drummer MACKENZIE MEDING • Bassist NEIL FLEMING • Technical Director and Set & Projection Designer KATRIONA DUNN • Costume & Props Designer AJAY BADONI • Lighting Designer NAOMI ESAU • Stage Manager SABRENA SHAH BAIGZADA • Assistant Stage Manager KODIE ROLLAN • Producer & Production Manager SAMUEL KUGBIYI • Production Mentee CAST MIKE TAN • Jordan Jamieson JOSH BERTWISTLE • Jan Van Jan MICHELLE THRUSH • Belinda Moss SAFIA COMTOIS-MOHAMAD • Aspyn Colorado COLIN WOLF • Fritz TECHNICAL CREW MARC LAVALLEE • Theatre Technician ABBY WEEKS • Theatre Technician SALLIEMAE SALCEDO • Sound Technician ANA MULINO • Production Assistant

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UNLEARNING, RELEARNING, TRANSFORMING EDUCATION An Interactive Art Exhibition I149F, near Tim Hortons on Main Street 4:00pm - 6:00pm Exhibition Schedule Getting to the Space & Parking Save the event to your calendar! Questions? Contact Us! ABOUT THE EXHIBIT: We, 36 MRU Teacher Candidates, dramaturg Kodie Rollan, assistant professor Kristen Schaffer and research assistant Daniela Quintero warmly invite you to experience Unlearning, Relearning, and Transforming—an interactive art exhibition showcasing what students have learned from EDUC2200D: Enacting Anti-Oppressive Education. What does “unlearning” mean to you? Quotes “Unlearning is hard and not always immediate.” What does “relearning” mean to you? Quotes “Questioning our biases.” What does “transforming education” mean to you? Quotes “Removing biases.” “Learning from the mistakes from the past to benefit the students of the future.” This project has been generously supported by the office of EDI opportunity fund. This is a drop-in style of event and light refreshments will be provided. THE SEVEN EXHIBITIONS Men in Education Talks A podcast where teacher candidates on navigating the profession and analyzing their privileges and challenges to reduce bias.” More Info Intersection Us “A painting representing the intersectionality between our identities - and the intersectionality between our school community and teaching philosophy.” More Info Stomp, Roar, and Be Brave “A children’s storybook about a young dinosaur with a stutter, discovering the diversity in their support system and overcoming a fear of public speaking alongside peers.” More Info Divided Perceptions: Stigma Across the City “Addressing common stereotypes/stigmas between the 4 quadrants of Calgary. Making viewers aware of their own biases and finding ways to challenge them.” More Info Interactive Classroom: Pieces of a Puzzle “An art piece to show what our future classrooms will look like.” Cancelled “An investigation game where players decide if someone deserves cancellation or redemption based on evidence.” More Info Privilege Collage “What does privilege mean to you?” Special Thanks Thank you to Chromatic Theatre for their web support and use of website! Thank you to the Office of Equity, Diversity, and Inclusion, Faculty of Health, Community and Education, the Mokakiiks Centre for SoTL, and the Department of Education at Mount Royal University.

2024 Client: Kasta Travel Year: 2023 This is placeholder text. To change this content, double-click on the element and click Change Content. To manage all your collections, click on the Content Manager button in the Add panel on the left. Previous Next

Men in Education Talks (Podcast) Exhibition Info Exhibition by: Format: Audio/ Video Content: Contains 5 - 10 minute clips of different parts of the podcast. Audiences are invited to watch as much or as little as they choose before moving on to other exhibits. Accessibility: The video contains subtitles. Teacher candidates will be available for questions/ comments as the video plays. See also: Parking Info for MRU

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